六種姿態(tài)及其經(jīng)驗范式——當代中國音樂批評文論分類考察與研究
發(fā)布時間：2019-03-26 18:01
【摘要】：本文通過對當代中國音樂批評文論類別及其音樂審美問題的考察與研究,初步形成了六大類分及其經(jīng)驗范式的認識,為感性經(jīng)驗描寫在我國音樂批評寫作中存在的必要性提供基礎(chǔ)說服力。
[Abstract]:By investigating and studying the categories of literary criticism of contemporary Chinese music criticism and the aesthetic problems of music, this paper has formed a preliminary understanding of six categories and their empirical paradigms. It provides the basis for the necessity of perceptual experience description in music criticism writing in China.
【作者單位】： 上海音樂學(xué)院研究生部;
【分類號】：J609.2
[Abstract]:By investigating and studying the categories of literary criticism of contemporary Chinese music criticism and the aesthetic problems of music, this paper has formed a preliminary understanding of six categories and their empirical paradigms. It provides the basis for the necessity of perceptual experience description in music criticism writing in China.
【作者單位】： 上海音樂學(xué)院研究生部;
【分類號】：J609.2
【參考文獻】
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本文編號：2447792
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