【摘要】：拉莫是巴洛克時期重要的音樂家,他已經(jīng)在純理論與實踐兩條線索的發(fā)展中都占有一席之地。他的《和聲學(xué)基本原理》已使他獲得了一個音樂科學(xué)家的聲望。他所處的時期是巴洛克時期,這一時期前承文藝復(fù)興時期,后接古典主義時期,是連接兩個重要的音樂發(fā)展時期的紐帶,拉莫的和聲研究,有利于我們對這幾個時期的音樂創(chuàng)作的深入了解。 本文首先對拉莫之前的和聲理論進(jìn)行了梳理,結(jié)合拉莫所處的時代分析了拉莫時代的藝術(shù)思潮,并且詳細(xì)論述了拉莫的和聲理論的主要內(nèi)容以及拉莫音樂創(chuàng)作中的和聲運用運用,并結(jié)合作品進(jìn)行分析,最后對拉莫所處時代的風(fēng)格的變遷進(jìn)行了論述。拉莫在和聲領(lǐng)域的作用是功不可沒的,對他的和聲研究有利于我們進(jìn)一步的學(xué)習(xí)。
[Abstract]:Lamo was an important musician in Baroque, he had a place in the development of pure theory and practice. His basic principles of Harmony have earned him the reputation of a music scientist. He lived in the Baroque period, which followed the Renaissance period, followed by the classicism period, was the link between the two important periods of music development, Ramo's research on harmony, It is helpful for us to have a deep understanding of the music creation in these periods. In this paper, the author firstly combs the previous harmony theory of Lamo, and analyzes the artistic trend of Lamo's time combined with the era in which Ramo lived. The main content of Lamo's harmony theory and the use of harmony in Lamo's music creation are discussed in detail, and his works are analyzed. Finally, the style changes of Lamo's era are discussed. Ramo's role in the field of harmony is indispensable, and his research on harmony is conducive to our further study.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J614.1

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本文編號：2410069