【摘要】：戲曲是一門綜合藝術(shù),歷經(jīng)數(shù)百年的發(fā)展歷程,她不但以成熟的面貌居于各類藝術(shù)之首,從某種程度上也體現(xiàn)了我們民族的思想個(gè)性、審美意識和傳統(tǒng)的理念。因此,把戲曲作為研究的切入點(diǎn),從而可以深入了解中國傳統(tǒng)文化的內(nèi)在含義。 評劇產(chǎn)生于 20 世紀(jì)初,其發(fā)展的速度之快、傳播的范圍之廣、喜愛的觀眾之多,令一些大劇種都不得不懼其三分。然而,造成評劇如此發(fā)展軌跡的背后原因,不外乎適合其生存發(fā)展的天時(shí)、地利和人和。本論文可劃分為三大部分,即評劇的發(fā)展簡史、評劇音樂的演變、評劇音樂對劇種發(fā)展的作用。在這三個(gè)部分的闡述中,滲透了天、地、人之間的相互影響和在此影響下評劇的細(xì)微變化。 論文第一部分  評劇發(fā)展簡史,按照三個(gè)不同的發(fā)展階段,以各個(gè)時(shí)期代表人物為主線,分別介紹了三個(gè)在不同時(shí)代背景、文化背景影響下的評劇的概況、代表人物的生平和唱腔風(fēng)格。第二部分是評劇唱腔的演變,首先介紹評劇唱腔的基本程式,然后通過譜例,把不同時(shí)期代表人物的代表性唱段加以比較。結(jié)論部分是對整個(gè)論文的總結(jié),通過對評劇發(fā)展史和評劇音樂演變過程的梳理,總結(jié)出評劇音樂在評劇發(fā)展的地位和作用。
[Abstract]:Opera is a comprehensive art, after hundreds of years of development, it not only takes the first place in all kinds of art with mature appearance, but also embodies our nation's thought individuality, aesthetic consciousness and traditional idea to some extent. Therefore, taking opera as the starting point of research, we can deeply understand the inherent meaning of Chinese traditional culture. Since the beginning of the 20th century, the rapid development of drama, the spread of a wide range of audiences, so that some of the major types of drama had to fear its three points. However, the reasons behind the development of the drama are no more than suitable for its survival and development, geographical location and human harmony. This thesis can be divided into three parts, namely, the brief history of the development of drama, the evolution of drama music, and the role of drama music in the development of drama. In these three parts, it permeates the interaction of heaven, earth and man and the subtle changes of drama under this influence. The first part of the thesis is a brief history of the development of the drama. According to the three different stages of development, taking the representative characters of each period as the main line, the author introduces the general situation of the three plays under the influence of different background and cultural background. Represents the character's life and singing style. The second part is the evolution of opera singing, first introduces the basic program of opera singing, and then through the spectral examples, the representative figures of different periods are compared. The conclusion part is a summary of the whole paper, through the review of the history of drama review and the music evolution process, summed up the status and role of the music in the development of drama criticism.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J617

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