【摘要】：本文在音樂心理學(xué)和音樂美學(xué)的基礎(chǔ)上,以手風(fēng)琴演奏者為對(duì)象,著重論述手風(fēng)琴演奏者在音樂空間、音樂時(shí)間、音樂注意和音樂記憶的作用下,通過認(rèn)真識(shí)譜,不斷地重復(fù)練習(xí),控制練習(xí)速度與進(jìn)度以及合理運(yùn)用演奏中的“預(yù)感”,以熟練掌握演奏音樂作品的過程。同時(shí)將手風(fēng)琴演奏與音樂審美感知、音樂審美想象、音樂審美理解、音樂審美情感及其構(gòu)成的審美經(jīng)驗(yàn)相結(jié)合,通過感知、想象、理解、情感等審美因素,深入了解音樂作品的形式與內(nèi)涵,為手風(fēng)琴演奏提供一種愉悅的審美經(jīng)驗(yàn)支持。 手風(fēng)琴演奏作為一種藝術(shù)的再創(chuàng)造,不僅展現(xiàn)了作者的真實(shí)創(chuàng)造意圖與創(chuàng)作情感,還融入了自身的個(gè)性化因素,使音樂作品得到充分的補(bǔ)充與豐富,使手風(fēng)琴演奏更具藝術(shù)魅力。當(dāng)然,在手風(fēng)琴的演奏中還要特別注意音樂表演心理中的“投情”和臨場心理以及演奏風(fēng)格的變化,這樣才是完美成功的演奏,才能充分的與聽者進(jìn)行情感上的交流與溝通,實(shí)現(xiàn)演奏“情”與“意”的統(tǒng)一,豐富手風(fēng)琴演奏的風(fēng)格化、特色化,提升聽者的審美水平,實(shí)現(xiàn)作品與演奏的審美價(jià)值。 本文在一個(gè)全新的角度上,將手風(fēng)琴演奏藝術(shù)與音樂心理研究相結(jié)合,為手風(fēng)琴演奏藝術(shù)提供科學(xué)的美學(xué)思維方法與音樂心理學(xué)指導(dǎo),以展現(xiàn)手風(fēng)琴的演奏藝術(shù)的獨(dú)特魅力,提高手風(fēng)琴演奏水平,推動(dòng)中國手風(fēng)琴演奏藝術(shù)的繁榮發(fā)展。
[Abstract]:On the basis of music psychology and music aesthetics, this paper, taking accordion players as objects, mainly discusses that accordion players, under the influence of music space, music time, music attention and music memory, can read music carefully. Practice repeatedly, control the speed and progress of practice, and make use of the premonition in performance so as to master the process of playing music. At the same time, combining accordion playing with aesthetic perception of music, aesthetic imagination of music, aesthetic understanding of music, aesthetic emotion of music and aesthetic experience of composition, through the aesthetic factors such as perception, imagination, understanding, emotion, etc. To deeply understand the form and connotation of musical works, to provide a pleasant aesthetic experience support for accordion playing. Accordion playing, as a kind of art re-creation, not only shows the author's true creative intention and creative emotion, but also integrates his own individualized factors, so that the music works can be fully supplemented and enriched. Make accordion play more artistic charm. Of course, in playing the accordion, we should pay special attention to the "cast" and the appearance psychology in the psychology of musical performance, as well as the changes in the performance style. This is the perfect and successful performance, and we can fully communicate and communicate emotionally with the listeners. To realize the unity of "feeling" and "meaning", enrich the style and characteristics of accordion playing, promote the aesthetic level of listeners, and realize the aesthetic value of works and performance. From a new angle, this paper combines accordion playing art with music psychology research, provides scientific aesthetic thinking method and music psychology guidance for accordion playing art, in order to show the unique charm of accordion playing art. Improve the level of accordion performance and promote the prosperity and development of Chinese accordion playing art.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：J624.3

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 王晶;法國musette音樂的手風(fēng)琴演奏初探[D];四川師范大學(xué);2012年

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本文編號(hào)：2406548