【摘要】：莫扎特（沃爾夫?qū)兀?756—1791） 莫扎特奧地利作曲家，古典主義時期代表人物之一。在西方的音樂歷史長河中莫扎特無疑是被世人公認的音樂天才，在他僅僅35年的生涯里卻給人們留下了大量的寶貴作品。他的創(chuàng)作風格古典音樂的典型代表，作品細膩委婉充滿了自信和歡樂。在他的樂曲中常常能感覺到生命的真諦和生活的樂趣。 本文是基于莫扎特的幻想為研究對象，從莫扎特的生活經(jīng)歷為切入點，，深入了解作曲家的創(chuàng)作背景，寫作風格和對后世的音樂創(chuàng)作。 莫扎特在一生中創(chuàng)作了大量的器樂作品和歌劇作品，器樂作品中幻想曲是他創(chuàng)作數(shù)量上較少的作品但其內(nèi)容的豐富卻是相當龐大。幻想曲體裁是交響樂與歌劇的結(jié)合是用鋼琴表現(xiàn)出來的微縮圖，所以本篇內(nèi)容不僅研究了幻想曲的演奏技巧和藝術(shù)特色。為了更好的詮釋幻想曲這篇文章還簡單的介紹了莫扎特的歌劇和交響樂。 論文由緒論，本論和結(jié)論三部分組成。緒論主要闡述了本課題目前研究狀況及成果。本論主要為三個部分：第一部分介紹了莫扎特的生平，創(chuàng)作背景，和幻想曲創(chuàng)作風格；第二部分具體研究了該作品的演奏技巧，情感表達等以及部分內(nèi)容曲式分析；第三部分主要寫這三首幻想曲與歌劇和交響樂的聯(lián)系以及幻想曲的音樂表現(xiàn)力和藝術(shù)特征。 莫扎特這三首幻想曲《c小調(diào)幻想曲k475》《d小調(diào)幻想曲k396》《d小調(diào)幻想曲k397》。在世界音樂舞臺上具有不可磨滅的歷史性地位，至今幻想曲仍被人們稱為龐大的鋼琴作品在演奏中旋律部分既要體現(xiàn)歌劇的創(chuàng)作伴奏部分還要彈奏出交響樂的音響，所以此作品的研究和學習不僅解決了世人對幻想曲的空白而且還加深了對歌劇和交響樂的理解性認識，增進了人們對幻想曲的認知。此作品的研究與學習，對于鋼琴演奏以及鋼琴音樂的發(fā)展具有深刻的意義。
[Abstract]:Mozart (Wolfgang Mozart, 1756-1791) Mozart Austrian composer, one of the representative figures of the classical period. Mozart is undoubtedly recognized as a musical genius in the long history of western music, but he has left a great deal of valuable works in his only 35 years. His creation style classical music typical representative, the work exquisite euphemism is full of confidence and the joy. The true meaning of life and the joy of life are often felt in his music. This paper is based on Mozart's fantasy as the object of study, from Mozart's life experience as a breakthrough point, in-depth understanding of the composer's creative background, writing style and future generations of music creation. Mozart created a large number of instrumental works and operas in his life. The genre of Fantasia is the combination of symphonies and operas, which is shown on the piano. Therefore, this paper not only studies the performance skills and artistic characteristics of Fantasia. For a better interpretation of Fantasia this article also briefly introduces Mozart's opera and symphony. The paper consists of three parts: introduction, theory and conclusion. The introduction mainly elaborates the present research situation and achievement of this subject. The first part introduces Mozart's life, background and style of Fantasia, the second part studies the performance skills, emotional expression, and part of the content of the composition analysis, the second part of the paper is divided into three parts: the first part introduces Mozart's life, the background of his creation, and the style of his Fantasia. The third part mainly describes the relationship between the three Fantasia and opera and symphony, as well as the musical expressiveness and artistic features of Fantasia. Mozart's three Fantasia in < C minor Fantasia k475 > < d minor Fantasia K396 > < d minor Fantasia K397 >. In the world music stage has an indelible historical status, Fantasia is still known as the huge piano works in the performance of the melody not only reflects the opera creation accompaniment part but also plays the symphony sound. Therefore, the study and study of this work not only solves the blank of the world to the fantasy, but also deepens the understanding of opera and symphony, and enhances people's cognition of the fantasy. The research and study of this work has profound significance for piano playing and the development of piano music.
【學位授予單位】：哈爾濱師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J624.1

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本文編號：2389748