中國(guó)古代音樂心理學(xué)思想的構(gòu)建與發(fā)展
發(fā)布時(shí)間：2018-12-18 17:55
【摘要】：音樂心理學(xué)(Psychology of Music)是心理學(xué)和音樂活動(dòng)有機(jī)結(jié)合的一門新興學(xué)科，從心理學(xué)的角度研究人類的各種音樂活動(dòng)。我國(guó)現(xiàn)代音樂心理學(xué)的研究始于20世紀(jì)80年代�？v觀取得的研究成果，大多為介紹西方音樂心理學(xué)的文章，有關(guān)音樂心理發(fā)展的本土化特點(diǎn)的研究尚顯薄弱，對(duì)中國(guó)古代論著中的音和心理思想進(jìn)行比較完整而系統(tǒng)研究的成果也不多。而我國(guó)早在春秋戰(zhàn)國(guó)時(shí)期諸子百家的論著中就有關(guān)于音樂心理活動(dòng)的描述和對(duì)某些音樂心理規(guī)律的研究，從關(guān)注音樂與自然的聯(lián)系、音樂溝通“天人”等樸素的、帶有神本哲學(xué)色彩的描述到重視音樂與人心理、情感的密切聯(lián)系，音樂主體的心理特征在音樂活動(dòng)中的強(qiáng)大作用等強(qiáng)調(diào)人本主義文化內(nèi)涵的研究，研究歷時(shí)達(dá)二千年；研究成果從散見于古代文獻(xiàn)的語(yǔ)錄，發(fā)展到獨(dú)立的論述篇章和專門的樂論著作，從帶有哲學(xué)意味的結(jié)論到分層遞進(jìn)的分析，從理論分析到實(shí)踐驗(yàn)證，從隸屬于哲學(xué)、倫理等學(xué)科逐步發(fā)展為具有自己獨(dú)立研究命題和專門著述的理論體系；研究領(lǐng)域幾乎涵蓋了現(xiàn)代音樂心理學(xué)所有的命題，如音樂與人心理的關(guān)系、產(chǎn)生音樂心理現(xiàn)象的生理機(jī)制、音樂的心理效能、音樂的社會(huì)作用、音樂欣賞心理、音樂表演心理、音樂創(chuàng)作心理、音樂對(duì)塑造個(gè)體具有完備性格的作用、音樂養(yǎng)生、治療思想等等；涉及到的心理現(xiàn)象有：音樂感知、情緒、情感、音樂想象和聯(lián)想、音樂理解認(rèn)識(shí)和判斷、音樂記憶、音樂興趣、意志、音樂才能、技巧、個(gè)性、性格、思維、感覺、心境、靈感、聽覺感受性、聽覺閾限等等；研究方法以哲學(xué)思辨為主，，兼以實(shí)證和內(nèi)省，注重理論與實(shí)踐的結(jié)合。同時(shí)，其形成與發(fā)展，無不伴隨著各時(shí)期文化思想的發(fā)展軌跡，從孔子的仁學(xué)、中庸之道到道家的自然無為，從魏晉的玄學(xué)到宋明理學(xué)，每一時(shí)期的文化思潮，均極大的影響著并悄然改變著古代先賢們探索音樂心理學(xué)思想的腳步。 筆者試圖通過研讀我國(guó)古代音樂文獻(xiàn)著作，收集、整理和分析蘊(yùn)涵其中的音樂心理學(xué)思想構(gòu)建與發(fā)展的歷史脈絡(luò)及其特征，以此為基礎(chǔ)、進(jìn)一步探索在歷史演進(jìn)過程中不同文化形態(tài)與音樂心理學(xué)思想發(fā)展軌跡的相互關(guān)系，從而深化對(duì)中國(guó)古代音樂心理學(xué)思想的理解，為構(gòu)建具有我國(guó)本土化發(fā)展特征的音樂心理學(xué)思想體系，促進(jìn)音樂心理學(xué)學(xué)科的理論建設(shè)與發(fā)展，提供有價(jià)值的學(xué)術(shù)資料。
[Abstract]:Music psychology (Psychology of Music) is a new subject which combines psychology and music activity organically. It studies all kinds of music activities of human beings from the angle of psychology. The study of modern music psychology in China began in the 1980's. Throughout the research achievements, most of them are articles on western music psychology, but the research on the localization of the development of music psychology is still weak. The sound and psychological thoughts in ancient Chinese works are relatively complete and the results of systematic research are few. As early as the Spring and Autumn and warring States period, there were a description of the psychological activities of music and the study of some musical psychological laws in the works of the hundred schools of thought in the Spring and Autumn and warring States period, from the concern of the relationship between music and nature, music communication between "Heaven and Man," and so on. The description with the color of God-based philosophy emphasizes the cultural connotation of humanism, which emphasizes the close relationship between music and human psychology, the close relationship between emotion and the psychological characteristics of the music subject, and so on. The study lasted for two thousand years. The research results have developed from the quotations scattered in ancient documents to independent discourse and special music theory works, from philosophical conclusions to hierarchical analysis, from theoretical analysis to practical verification, from subordinate philosophy, Ethics and other disciplines have gradually developed into a theoretical system with its own independent research proposition and special works. The research field covers almost all the propositions of modern music psychology, such as the relationship between music and human psychology, the physiological mechanism that produces the phenomenon of musical psychology, the psychological efficacy of music, the social function of music, the psychology of music appreciation, the psychology of music performance. Music creation psychology, music to mold the individual has the complete character function, the music preserves the health, the treatment thought and so on; The psychological phenomena involved are: music perception, emotion, music imagination and association, music understanding, understanding and judgment, music memory, musical interest, will, musical talent, skill, personality, thinking, feeling, state of mind, Inspiration, auditory receptivity, auditory threshold and so on; The research method is mainly philosophical thinking and empirical and introspection, focusing on the combination of theory and practice. At the same time, its formation and development are accompanied by the development track of cultural thought in every period, from Confucius' benevolence, the doctrine of the mean to the natural inaction of Taoism, the metaphysics of Wei and Jin dynasties to Song Ming's Neo-Confucianism, and the cultural trend of thought in each period. Are greatly affecting and quietly changing the ancient sages to explore the pace of music psychology. The author attempts to collect, sort out and analyze the historical context and characteristics of the construction and development of the musical psychology thoughts contained in the works of ancient music literature in China. To further explore the relationship between different cultural forms and the development track of music psychology in the course of historical evolution, so as to deepen the understanding of ancient Chinese music psychology. In order to construct the thought system of music psychology which has the characteristic of native development of our country, to promote the theoretical construction and development of the subject of music psychology, and to provide valuable academic materials.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J60-05
本文編號(hào)：2386256
[Abstract]:Music psychology (Psychology of Music) is a new subject which combines psychology and music activity organically. It studies all kinds of music activities of human beings from the angle of psychology. The study of modern music psychology in China began in the 1980's. Throughout the research achievements, most of them are articles on western music psychology, but the research on the localization of the development of music psychology is still weak. The sound and psychological thoughts in ancient Chinese works are relatively complete and the results of systematic research are few. As early as the Spring and Autumn and warring States period, there were a description of the psychological activities of music and the study of some musical psychological laws in the works of the hundred schools of thought in the Spring and Autumn and warring States period, from the concern of the relationship between music and nature, music communication between "Heaven and Man," and so on. The description with the color of God-based philosophy emphasizes the cultural connotation of humanism, which emphasizes the close relationship between music and human psychology, the close relationship between emotion and the psychological characteristics of the music subject, and so on. The study lasted for two thousand years. The research results have developed from the quotations scattered in ancient documents to independent discourse and special music theory works, from philosophical conclusions to hierarchical analysis, from theoretical analysis to practical verification, from subordinate philosophy, Ethics and other disciplines have gradually developed into a theoretical system with its own independent research proposition and special works. The research field covers almost all the propositions of modern music psychology, such as the relationship between music and human psychology, the physiological mechanism that produces the phenomenon of musical psychology, the psychological efficacy of music, the social function of music, the psychology of music appreciation, the psychology of music performance. Music creation psychology, music to mold the individual has the complete character function, the music preserves the health, the treatment thought and so on; The psychological phenomena involved are: music perception, emotion, music imagination and association, music understanding, understanding and judgment, music memory, musical interest, will, musical talent, skill, personality, thinking, feeling, state of mind, Inspiration, auditory receptivity, auditory threshold and so on; The research method is mainly philosophical thinking and empirical and introspection, focusing on the combination of theory and practice. At the same time, its formation and development are accompanied by the development track of cultural thought in every period, from Confucius' benevolence, the doctrine of the mean to the natural inaction of Taoism, the metaphysics of Wei and Jin dynasties to Song Ming's Neo-Confucianism, and the cultural trend of thought in each period. Are greatly affecting and quietly changing the ancient sages to explore the pace of music psychology. The author attempts to collect, sort out and analyze the historical context and characteristics of the construction and development of the musical psychology thoughts contained in the works of ancient music literature in China. To further explore the relationship between different cultural forms and the development track of music psychology in the course of historical evolution, so as to deepen the understanding of ancient Chinese music psychology. In order to construct the thought system of music psychology which has the characteristic of native development of our country, to promote the theoretical construction and development of the subject of music psychology, and to provide valuable academic materials.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J60-05
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 鄭磊;音樂輔助中學(xué)語(yǔ)文教學(xué)的實(shí)踐研究[D];河北師范大學(xué);2008年
本文編號(hào)：2386256
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