【摘要】：聲樂套曲是形成于西方的聲樂藝術形式,改革開放以來,由于中西文化的廣泛交流,聲樂藝術在中國也跟隨時代潮流逐步發(fā)展成為具有中國特色的聲樂藝術,聲樂套曲這種藝術形式也有很大的突破,不管是在形式和內(nèi)容上,還是在結(jié)構和曲式上都要與西方的聲樂套曲相比較學習。鄭秋楓是我國著名的軍旅作曲家,他那悠長抒情的旋律和樸實無華的音樂語言無不令人陶醉神往。 聲樂套曲《祖國四季》是鄭秋楓唯一一部聲樂套曲,作品選曲祖國每個季節(jié)最具有民族特色的地方進行描述,用不同的側(cè)面來詮釋祖國四季,具有鮮明的時代特色,筆者將從以下幾個方面對這部套曲進行分析研究：首先簡要的對鄭秋楓進行了介紹,并從三個方面敘述了鄭秋楓的創(chuàng)作風格,另一方面還了解了鄭秋楓與瞿琮的人物關系。其次充分理解聲樂套曲的含義與聲樂套曲在我國的發(fā)展,并對聲樂套曲《祖國四季》的創(chuàng)作背景進行了簡單的分析。再次分析研究了《祖國四季》的藝術特色和創(chuàng)作特征,主要從套曲的深刻內(nèi)涵——大愛情懷、套曲的藝術特色以及曲式結(jié)構三個方面進行分析。在文章最后結(jié)合筆者在演唱時對歌曲的認識,主要從音色和力度、音準和節(jié)奏、語言三個方面分析了《祖國四季》的演唱處理方式。
[Abstract]:Vocal music ensemble is a form of vocal music art formed in the West. Since the reform and opening up, the vocal music art has gradually developed into a vocal music art with Chinese characteristics in China because of the extensive exchange of Chinese and western cultures. There is also a great breakthrough in the artistic form of vocal music suite, both in form and content, in structure and form, and in comparison with western vocal music. Zheng Qiufeng is a famous military composer in our country. His long lyric melody and simple musical language are intoxicating. The vocal music suite "four Seasons of the motherland" is Zheng Qiufeng's only vocal music ensemble. The works select the places with the most national characteristics in each season of the motherland to describe them, and interpret the four seasons of the motherland with different sides, with distinctive characteristics of the times. The author will analyze and study this suite from the following aspects: firstly, it briefly introduces Zheng Qiufeng, and narrates Zheng Qiufeng's creative style from three aspects, on the other hand, he also understands the relationship between Zheng Qiufeng and qu Cong. Secondly, we fully understand the meaning of vocal music suite and the development of vocal music suite in China, and make a simple analysis of the creation background of vocal music suite "four Seasons of the motherland". Thirdly, it analyzes and studies the artistic characteristics and creative features of the four Seasons of the motherland, mainly from three aspects: the profound connotation of the suite, the artistic characteristics of the suite and the structure of the musical form. At the end of the article, combining with the author's understanding of the song when singing, the author mainly analyzes the singing processing methods of the four Seasons of the motherland from the aspects of timbre and intensity, timbre and rhythm, and language.
【學位授予單位】：青島大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J616.1;J614

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