【摘要】：目前我國對古代歌唱藝術(shù)的研究很多,也有很多的考證可以參考,例如有很多的曲譜譜例,各位專家也各有己見,對某段時期的的歌唱藝術(shù)有獨到的見解,包括中國古代當(dāng)時的歌唱家也是如此。通過這幾年的學(xué)習(xí),也讀了很多關(guān)于古代音樂發(fā)展中聲樂發(fā)展的書籍,其中對當(dāng)時的聲樂形式,如：詩歌,相和歌,戲曲,民間的說唱等等都有詳細(xì)的研究和解讀。對《陽關(guān)三疊》的研究,要把握當(dāng)時歌唱藝術(shù)發(fā)展的狀況,掌握當(dāng)時的歷史背景和審美思想。聲樂和音樂美學(xué)思想相結(jié)合,巧妙運用情,聲,字,氣這幾個要素,通過細(xì)致研究這些要素在歌唱中的辯證關(guān)系,將其運用到現(xiàn)在的學(xué)習(xí)和教學(xué)當(dāng)中,對現(xiàn)在的聲樂學(xué)習(xí)和教學(xué)有很大的幫助,能夠使現(xiàn)在的聲樂學(xué)習(xí)和聲樂教有更深層次的提高。
[Abstract]:At present, there are a lot of studies on ancient singing art in our country, and there are also many textual research to be consulted. For example, there are many examples of music composition, and experts have their own opinions. They have unique views on the singing art of a certain period of time. The same is true of the singers of ancient China. Through the study of these years, I also read a lot of books about the development of vocal music in ancient music. Among them, there is a detailed study and interpretation of the vocal music forms at that time, such as poetry, harmony songs, operas, folk rap and so on. In the study of Yangguan Triple, we should grasp the development of singing art at that time, grasp the historical background and aesthetic thought of that time. The combination of vocal music and musical aesthetics, the skillful use of emotion, sound, character and qi, through careful study of the dialectical relationship of these elements in singing, will be applied to the present study and teaching. It is of great help to the present vocal music learning and teaching, and can make the present vocal music learning and vocal music teaching more advanced.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J616.2

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相關(guān)期刊論文 前1條

1 劉陽瓊;;論聲樂作品的美學(xué)內(nèi)涵[J];藝海;2008年06期

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本文編號：2325063