論貝多芬鋼琴奏鳴曲中奏鳴曲式的高潮處理手法
發(fā)布時間：2018-11-10 10:23
【摘要】：作曲技術(shù)理論作為音樂學(xué)習(xí)的必修課越來越得到音樂院系的重視,為了使作曲技術(shù)理論的教學(xué)與實踐更臻于完善,本文以貝多芬鋼琴奏鳴曲中奏鳴曲式的高潮處理手法為研究點,運用舉例法、類比法等科學(xué)的研究方法對貝多芬的作曲技法做一些簡單的總結(jié)和概括。貝多芬作為世界上最偉大的天才作曲家之一,他創(chuàng)作的音樂極大的影響了音樂的發(fā)展,貝多芬一生創(chuàng)作的32首鋼琴奏鳴曲是他全部作品的重心所在。在奏鳴曲中,奏鳴曲式扮演主要角色,貝多芬完善了奏嗚曲式中機構(gòu)內(nèi)部的對比因素,擴大展開部的矛盾沖突和發(fā)展的動力,使他的鋼琴奏鳴曲遠遠地超過了前人,創(chuàng)造出一種他自己獨特的音樂風(fēng)格,由此奏鳴曲式作為一種通用曲式構(gòu)造到貝多芬達到了高峰。在奏鳴曲式中,由于矛盾的沖突特別的激烈,往往造成曲式中高潮迭起,分析曲式中的高潮手法又成為掌握奏鳴曲式的必要手段。貝多芬就是充分利用了他豐富多樣的技術(shù)手段形成奏鳴曲式中的高潮,在他創(chuàng)作的鋼琴奏鳴曲的奏鳴曲式中,我們可以發(fā)現(xiàn)他是怎樣使用力度的變化、音區(qū)的調(diào)動,借助織體的改變、速度的對比、和聲的變動以及其他的音樂技術(shù)手段,在相同和不同的主題材料之間形成起伏與高低潮。本文著重從高潮出現(xiàn)的位置、高潮出現(xiàn)前后的節(jié)奏特點、高潮出現(xiàn)時的力度變化、高潮出現(xiàn)時的調(diào)性變化、高潮出現(xiàn)時的和聲變化、高潮出現(xiàn)時模進手法的運用等幾方面就貝多芬在作品中如何以極周密的計劃促成建筑式的、精巧的高潮這一問題進行詳盡的分析,從而揭示其要領(lǐng)。
[Abstract]:As a required course of music learning, the theory of composition technology has been paid more and more attention to by the department of music. In order to improve the teaching and practice of the theory of composition technology, In this paper, the method of dealing with the high tide of sonata in Beethoven's piano sonatas is taken as the research point, and some scientific research methods, such as examples and analogy, are used to summarize and generalize Beethoven's composing techniques. Beethoven as one of the greatest talented composers in the world, his music greatly affected the development of music, Beethoven created 32 piano sonatas is the focus of all his works. In sonatas, sonatas play a major role. Beethoven perfected the comparative factors within the organs of the sonata, expanded the contradictions and conflicts in the unfolding part and developed the motive force, so that his piano sonatas far exceeded those of his predecessors. He created his own unique musical style, from which sonata as a universal form of construction to Beethoven reached its peak. In sonata form, because the conflict of contradiction is especially fierce, it often results in the high tide of the form, and the analysis of the climax technique in the form becomes the necessary means to master the sonata form. Beethoven made full use of his rich and varied technical means to form the climax of the sonata form. In the sonata form of his piano sonata, we can find out how he used the change of intensity and the movement of the sound area. With the help of texture changes, speed comparisons, harmony changes, and other musical techniques, ups and downs are formed between the same and different subject materials. This paper focuses on the location of the occurrence of the climax, the rhythm characteristics before and after the occurrence of the climax, the dynamics changes during the occurrence of the climax, the tonality change during the occurrence of the climax, the harmony change during the occurrence of the climax, In this paper, the author makes a detailed analysis on how Beethoven made the architectural and exquisite orgasm in his works from the aspects of the use of the modus operandi during the emergence of the climax, thus revealing the essentials of Beethoven's work.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J624.1
本文編號：2322198
[Abstract]:As a required course of music learning, the theory of composition technology has been paid more and more attention to by the department of music. In order to improve the teaching and practice of the theory of composition technology, In this paper, the method of dealing with the high tide of sonata in Beethoven's piano sonatas is taken as the research point, and some scientific research methods, such as examples and analogy, are used to summarize and generalize Beethoven's composing techniques. Beethoven as one of the greatest talented composers in the world, his music greatly affected the development of music, Beethoven created 32 piano sonatas is the focus of all his works. In sonatas, sonatas play a major role. Beethoven perfected the comparative factors within the organs of the sonata, expanded the contradictions and conflicts in the unfolding part and developed the motive force, so that his piano sonatas far exceeded those of his predecessors. He created his own unique musical style, from which sonata as a universal form of construction to Beethoven reached its peak. In sonata form, because the conflict of contradiction is especially fierce, it often results in the high tide of the form, and the analysis of the climax technique in the form becomes the necessary means to master the sonata form. Beethoven made full use of his rich and varied technical means to form the climax of the sonata form. In the sonata form of his piano sonata, we can find out how he used the change of intensity and the movement of the sound area. With the help of texture changes, speed comparisons, harmony changes, and other musical techniques, ups and downs are formed between the same and different subject materials. This paper focuses on the location of the occurrence of the climax, the rhythm characteristics before and after the occurrence of the climax, the dynamics changes during the occurrence of the climax, the tonality change during the occurrence of the climax, the harmony change during the occurrence of the climax, In this paper, the author makes a detailed analysis on how Beethoven made the architectural and exquisite orgasm in his works from the aspects of the use of the modus operandi during the emergence of the climax, thus revealing the essentials of Beethoven's work.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J624.1
【引證文獻】
相關(guān)碩士學(xué)位論文 前3條
1 于倩;貝多芬鋼琴奏鳴曲奏鳴曲式展開部分析[D];中國藝術(shù)研究院;2011年
2 馬學(xué)文;樂段結(jié)構(gòu)研究[D];武漢音樂學(xué)院;2009年
3 劉美辰;貝多芬鋼琴奏鳴曲Opus 14 Nr.1和Opus 81a比較與研究[D];江西師范大學(xué);2009年
，本文編號：2322198
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