【摘要】：復調音樂是多聲部音樂的一種重要形式,無論在復調音樂發(fā)展的黃金時代13—16世紀,還是以主調音樂發(fā)展為主流的古典主義至今,復調音樂創(chuàng)作都發(fā)揮著重要作用。復調音樂創(chuàng)作技法以模仿和對比為基礎,由于音樂理論的發(fā)展,在對比手法的使用上更加靈活多變、豐富各異,而且其創(chuàng)作也不拘泥于純粹復調音樂體裁中,這樣則更有利于復調音樂和主調音樂兩種多聲部音樂的相互借鑒、互相影響、融合發(fā)展,為音樂創(chuàng)作提供理想化的技術條件。本文通過對復調音樂創(chuàng)作中對比手法的研究,在一定程度上啟發(fā)復調音樂創(chuàng)作的理性思維。
[Abstract]:Polyphonic music is an important form of multi-tone music. Whether in the golden age of the development of polyphonic music in the 13-16 century, or in the mainstream of classical music development, polyphony music creation has played an important role. Polyphonic music creation techniques are based on imitation and contrast. Due to the development of music theory, the use of contrast techniques is more flexible and varied, and its creation is not restricted to pure polyphonic music genres. This will be more conducive to the polyphony music and the main tone music two kinds of multi-voice music mutual reference, mutual influence, fusion development, provide the idealized technical conditions for music creation. Through the study of the contrastive techniques in polyphony music creation, this paper enlightens the rational thinking of polyphonic music creation to some extent.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J614

【引證文獻】

相關碩士學位論文 前1條

1 鄒舒;中國新音樂的拼貼技術及復風格運用技法研究[D];南京藝術學院;2008年

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本文編號：2319518