【摘要】：19世紀的歐洲浪漫主義時期,出現(xiàn)了一大批優(yōu)秀的音樂家,羅伯特·舒曼就是這一時期的代表人物之一。舒曼是眾所周知的作曲家和音樂評論家,他的創(chuàng)作涉及鋼琴曲、聲樂曲、管弦樂、室內(nèi)樂、交響樂,無論從和聲、對位、節(jié)奏、織體等各方面,都具有鮮明的特色,其中不僅展示出他獨特的浪漫主義風(fēng)格,也讓人深切感受到他將靈魂與音樂相結(jié)合的態(tài)度。他對音樂藝術(shù)本質(zhì)的理解、對音樂高度的思想性和藝術(shù)性的要求,使他的藝術(shù)作品成為經(jīng)典,奠定了他在西方音樂史上的地位。 《交響練習(xí)曲》op.13是舒曼早期的代表作之一。這部宏偉的作品使鋼琴富有交響樂隊的效果,展示了舒曼鋼琴創(chuàng)作的無限表現(xiàn)力,可以說是19世紀鋼琴音樂史上最令人驚嘆的音樂精品之一。演奏這部作品能更好地了解舒曼的鋼琴作品風(fēng)格及特點。本文以《交響練習(xí)曲》為研究對象,介紹了舒曼的生平經(jīng)歷與樂曲的創(chuàng)作背景,闡述了該曲的音樂結(jié)構(gòu)與特點,并對整首作品的音樂創(chuàng)作技法加以分析,力求展現(xiàn)出作曲家非凡的變奏才能和獨特的音樂風(fēng)格。同時結(jié)合筆者的演奏體驗,進一步探討這首作品的技術(shù)、演奏方法和音樂表現(xiàn)。希望通過筆者的研究,讓演奏者對舒曼的音樂語言和內(nèi)心情感有更深層次的了解,為演奏者更好的詮釋這首作品提供可以借鑒的參考資料。
[Abstract]:Robert Schumann was one of the great musicians in the European Romantic period of the 19 th century. Schumann is a well-known composer and music critic, his creation involves piano music, sound music, orchestral music, chamber music, symphony, whether from harmony, opposition, rhythm, texture and other aspects, all have distinct characteristics. It shows not only his unique romantic style, but also his attitude of combining soul with music. His understanding of the nature of musical art and the high ideological and artistic requirements of music made his works of art a classic and established his position in the history of western music. Op.13 is one of Schumann's early masterpieces. This magnificent work makes the piano full of symphonic effect and shows the infinite expression of Schumann's piano creation. It can be said to be one of the most amazing musical works in the history of piano music in the 19th century. Playing this piece can better understand the style and characteristics of Schumann's piano works. This paper takes Symphony Etudes as the research object, introduces Schumann's life experience and music creation background, expounds the music structure and characteristics of the music, and analyzes the music creation techniques of the whole work. Strive to show the composer's extraordinary variety and unique style of music. At the same time, combined with the author's performance experience, the author further discusses the technique, playing method and music performance of this piece. It is hoped that through the author's research, the performer will have a deeper understanding of Schumann's musical language and inner feelings, and provide reference materials for the performer to better interpret this work.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J624.1

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本文編號：2313858