德彪西二十四首鋼琴前奏曲研究
發(fā)布時(shí)間：2018-11-05 20:42
【摘要】：德彪西是十九世紀(jì)末、二十世紀(jì)初法國印象主義音樂的代表人物之一,在歐洲音樂史的發(fā)展中占有重要地位,他所代表的印象主義音樂風(fēng)格是連接十九世紀(jì)浪漫主義音樂和二十世紀(jì)現(xiàn)代音樂的紐帶。 鋼琴音樂在德彪西的音樂創(chuàng)作中占有重要地位,其中的《二十四首鋼琴前奏曲》創(chuàng)作于他印象主義音樂風(fēng)格的成熟時(shí)期,是德彪西鋼琴作品中的精華,集中體現(xiàn)了他的音樂創(chuàng)作風(fēng)格。對于德彪西《二十四首鋼琴前奏曲》的深入研究,可以加深我們對其鋼琴音樂創(chuàng)作風(fēng)格的理解,更加明確其在法國音樂史上的突出地位和貢獻(xiàn)。 本文內(nèi)容主要有三個(gè)部分:第一部分闡述德彪西的鋼琴音樂創(chuàng)作風(fēng)格;第二部分對德彪西的《二十四首鋼琴前奏曲》從旋律、節(jié)奏、和聲、調(diào)式、調(diào)性、織體、曲式方面進(jìn)行較為全面的分析與研究,突出體現(xiàn)了德彪西的音樂創(chuàng)作風(fēng)格;第三部分通過闡述鋼琴前奏曲的發(fā)展歷程,突出德彪西鋼琴前奏曲的歷史地位。
[Abstract]:Debussy was one of the representative figures of French Impressionist music at the end of the 19th century and the beginning of the 20th century, and played an important role in the development of European music history. The Impressionist music style he represents is the link between 19 th century romantic music and 20 th century modern music. Piano music plays an important role in Debussy's music creation. Among them, "24 Piano Preludes" was created in the mature period of his Impressionist musical style, and it is the essence of Debussy's piano works. It embodies his style of music creation. The in-depth study of Debussy's 24 Piano Preludes can deepen our understanding of his piano music writing style and clarify his outstanding position and contribution in the history of French music. There are three parts in this paper: the first part expounds Debussy's piano music creation style; The second part of Debussy's "24 Piano Prelude" from the melody, rhythm, harmony, mode, tonality, texture, form of a more comprehensive analysis and research, highlighted Debussy's style of music creation; The third part emphasizes the historical position of Debussy's piano prelude by expounding the developing course of piano prelude.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J605
本文編號：2313395
[Abstract]:Debussy was one of the representative figures of French Impressionist music at the end of the 19th century and the beginning of the 20th century, and played an important role in the development of European music history. The Impressionist music style he represents is the link between 19 th century romantic music and 20 th century modern music. Piano music plays an important role in Debussy's music creation. Among them, "24 Piano Preludes" was created in the mature period of his Impressionist musical style, and it is the essence of Debussy's piano works. It embodies his style of music creation. The in-depth study of Debussy's 24 Piano Preludes can deepen our understanding of his piano music writing style and clarify his outstanding position and contribution in the history of French music. There are three parts in this paper: the first part expounds Debussy's piano music creation style; The second part of Debussy's "24 Piano Prelude" from the melody, rhythm, harmony, mode, tonality, texture, form of a more comprehensive analysis and research, highlighted Debussy's style of music creation; The third part emphasizes the historical position of Debussy's piano prelude by expounding the developing course of piano prelude.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J605
【引證文獻(xiàn)】
相關(guān)期刊論文 前1條
1 趙微;;德彪西鋼琴前奏曲《霧》的音樂分析[J];芒種;2013年02期
相關(guān)碩士學(xué)位論文 前3條
1 戴蒙利;德彪西鋼琴前奏曲中的五聲性因素[D];南京航空航天大學(xué);2009年
2 曹眾;拉赫瑪尼諾夫鋼琴前奏曲研究[D];湖南師范大學(xué);2006年
3 周林華;《德彪西鋼琴前奏曲集》第一集演奏版本研究[D];河南大學(xué);2010年
，本文編號：2313395
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