【摘要】：李斯特是西方音樂(lè)史上最偉大的浪漫主義音樂(lè)家之一，他在音樂(lè)創(chuàng)作、鋼琴演奏、指揮、音樂(lè)評(píng)論及鋼琴教學(xué)方而都做出了極為突出的貢獻(xiàn)。李斯特《b小調(diào)第二敘事曲》是他在1853年定居魏瑪期間，根據(jù)古希臘神話故事而創(chuàng)作的楚一首鋼琴作品。 本文在第一章中闡明了《b小調(diào)第二敘事曲》的創(chuàng)作背景，在第二章中分析了作品的創(chuàng)作特征，，在第三章屮對(duì)如何演奏這首作品進(jìn)行了分析研究，第四章則總結(jié)了整首作品的一些技術(shù)難點(diǎn)。希望通過(guò)本文對(duì)作品的創(chuàng)作特征研究和演奏分析，更深入的剖析作品。
[Abstract]:Liszt is one of the greatest romantic musicians in the history of western music. He has made outstanding contributions in music creation, piano playing, conducting, music review and piano teaching. Liszt's second narrative in B minor is a piano work he wrote according to ancient Greek mythological stories during his residence in Weimar in 1853. In the first chapter, the author clarifies the background of the second narrative in B minor, analyzes the creative characteristics of the work in the second chapter, and makes an analysis and research on how to play the work in the third chapter. The fourth chapter summarizes the whole work of some technical difficulties. I hope that through the work of the creative characteristics of the study and performance analysis, more in-depth analysis of the works.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J624.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

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2 陳妍;;論肖邦《g小調(diào)第一敘事曲》[J];藝術(shù)百家;2012年S2期

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