山東博山正覺寺佛事音樂研究
發(fā)布時間：2018-09-19 17:50
【摘要】：佛教文化自兩漢時期從印度傳入中國,至今已有兩千多年的歷史。雖歷經(jīng)風(fēng)雨,但目前仍在全國各地完整地保存了佛教各主要派系及其法事音樂,而也正是這些派系及法事音樂的留存發(fā)展,使得中國佛教音樂成為中國傳統(tǒng)音樂中一筆寶貴的文化遺產(chǎn)。山東地區(qū)作為中國佛教文化興盛之地,有著悠久的佛教文化歷史,佛教音樂作為佛教文化的主要傳播手段,是佛教文化重要的組成部分,因此研究佛教音樂對豐富發(fā)展山東地區(qū)佛教文化以及山東地區(qū)傳統(tǒng)音樂有著重要的價值意義。筆者以山東博山正覺寺佛事音樂作為本篇論文的研究對象,其目的在于明確佛教音樂對于發(fā)展山東地區(qū)傳統(tǒng)音樂的重要性,從而進(jìn)一步闡述山東地區(qū)佛教音樂研究及再發(fā)展的重要意義。 本篇論文共分為三章進(jìn)行寫作,第一章為中國佛教與佛教音樂,其中包括中國佛教的歷史沿革、中國漢傳佛教音樂的歷史沿革以及山東佛教音樂三個部分,論證了包括音樂在內(nèi)的佛教文化在中國兩千多年的歷史傳承中逐步形成具有中國特色的佛教文化以及對中國傳統(tǒng)文化的深遠(yuǎn)影響。第二章以博山正覺寺佛事音樂研究為主要內(nèi)容,對博山正覺寺佛教文化、寺院佛事音樂曲譜以及佛事音樂本體進(jìn)行了深入研究。通過走訪博山正覺寺,筆者對其所用儀式音樂進(jìn)行了采集、整理與記譜,同時對所記曲譜進(jìn)行了音樂本體上的分析,分別從音樂的旋律特征、調(diào)式特征及結(jié)構(gòu)特征進(jìn)行了論述。第三章為博山正覺寺佛事音樂中的“傳統(tǒng)性”與“世俗性”,其中“傳統(tǒng)性”的存在一方面源于佛教教義的需要,另一方面受傳統(tǒng)佛教儀式活動的影響。而音樂中的“世俗性”則源于佛教音樂傳入中國之初受中國民間音樂的影響而存在,佛教音樂中的“世俗性”為佛教文化的傳播提供了條件。 筆者認(rèn)為,當(dāng)下對中國佛教音樂的研究與發(fā)展是中國傳統(tǒng)音樂研究工作中的的當(dāng)務(wù)之急。本篇論文的寫作意義,目的在于明確發(fā)展佛教音樂是傳播佛教文化的重要手段,是推動山東佛教文化再發(fā)展的重要動力,是構(gòu)建中國傳統(tǒng)音樂的重要組成部分。
[Abstract]:Buddhist culture has been introduced into China from India since the Han Dynasty, and has a history of more than two thousand years. Despite the hardships and hardships, the major Buddhist factions and their legalistic music have been preserved in all parts of the country, and it is precisely these factions and their legalistic music that have survived and developed. Chinese Buddhist music has become a valuable cultural heritage in Chinese traditional music. As the place where Chinese Buddhist culture flourishes, Shandong has a long history of Buddhist culture. Buddhist music, as the main means of spreading Buddhist culture, is an important part of Buddhist culture. Therefore, the study of Buddhist music is of great value in enriching and developing Buddhist culture in Shandong and traditional music in Shandong. The author takes the music of the Buddhist temple in Boshan as the object of this paper, the purpose of which is to clarify the importance of Buddhist music to the development of traditional music in Shandong. Further elaborated Shandong area Buddhism music research and the important significance of the development. The first chapter is about Chinese Buddhism and Buddhist music, including the historical evolution of Chinese Buddhism, the historical evolution of Chinese Han Buddhist music and Shandong Buddhist music. This paper demonstrates that the Buddhist culture including music has gradually formed the Buddhist culture with Chinese characteristics and its profound influence on the Chinese traditional culture in the course of more than two thousand years of historical inheritance in China. The second chapter takes the music research of Boshan Zhengjue Temple as the main content, and deeply studies the Buddhist culture, the music composition and the Buddhist music Noumenon of the Boshan Zhengjue Temple. By visiting Zhengjiao Temple in Boshan, the author collects, arranges and records the ritual music used in it, and analyzes the music composition on the music itself, and discusses the melody characteristics, modulation characteristics and structural characteristics of the music respectively. The third chapter is the "tradition" and "secular" in the music of Boshan Zhengjing Temple, in which the existence of "tradition" originates from the need of Buddhism doctrine and is influenced by the traditional Buddhist ritual activities on the other hand. The "secular nature" in music originated from the influence of Chinese folk music at the beginning of the introduction of Buddhist music to China, and the "secular nature" in Buddhist music provided the conditions for the spread of Buddhist culture. The author believes that the current research and development of Chinese Buddhist music is an urgent task in the research of Chinese traditional music. The purpose of this thesis is to make it clear that the development of Buddhist music is an important means to spread Buddhist culture, an important driving force to promote the re-development of Buddhist culture in Shandong Province, and an important part of the construction of Chinese traditional music.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J608
本文編號：2250881
[Abstract]:Buddhist culture has been introduced into China from India since the Han Dynasty, and has a history of more than two thousand years. Despite the hardships and hardships, the major Buddhist factions and their legalistic music have been preserved in all parts of the country, and it is precisely these factions and their legalistic music that have survived and developed. Chinese Buddhist music has become a valuable cultural heritage in Chinese traditional music. As the place where Chinese Buddhist culture flourishes, Shandong has a long history of Buddhist culture. Buddhist music, as the main means of spreading Buddhist culture, is an important part of Buddhist culture. Therefore, the study of Buddhist music is of great value in enriching and developing Buddhist culture in Shandong and traditional music in Shandong. The author takes the music of the Buddhist temple in Boshan as the object of this paper, the purpose of which is to clarify the importance of Buddhist music to the development of traditional music in Shandong. Further elaborated Shandong area Buddhism music research and the important significance of the development. The first chapter is about Chinese Buddhism and Buddhist music, including the historical evolution of Chinese Buddhism, the historical evolution of Chinese Han Buddhist music and Shandong Buddhist music. This paper demonstrates that the Buddhist culture including music has gradually formed the Buddhist culture with Chinese characteristics and its profound influence on the Chinese traditional culture in the course of more than two thousand years of historical inheritance in China. The second chapter takes the music research of Boshan Zhengjue Temple as the main content, and deeply studies the Buddhist culture, the music composition and the Buddhist music Noumenon of the Boshan Zhengjue Temple. By visiting Zhengjiao Temple in Boshan, the author collects, arranges and records the ritual music used in it, and analyzes the music composition on the music itself, and discusses the melody characteristics, modulation characteristics and structural characteristics of the music respectively. The third chapter is the "tradition" and "secular" in the music of Boshan Zhengjing Temple, in which the existence of "tradition" originates from the need of Buddhism doctrine and is influenced by the traditional Buddhist ritual activities on the other hand. The "secular nature" in music originated from the influence of Chinese folk music at the beginning of the introduction of Buddhist music to China, and the "secular nature" in Buddhist music provided the conditions for the spread of Buddhist culture. The author believes that the current research and development of Chinese Buddhist music is an urgent task in the research of Chinese traditional music. The purpose of this thesis is to make it clear that the development of Buddhist music is an important means to spread Buddhist culture, an important driving force to promote the re-development of Buddhist culture in Shandong Province, and an important part of the construction of Chinese traditional music.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J608
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