舒曼《a小調(diào)鋼琴協(xié)奏曲》op.54中的個性顯現(xiàn)探究
發(fā)布時間：2018-09-15 19:26
【摘要】：羅伯特·舒曼的音樂作品創(chuàng)作深刻反映著浪漫主義音樂風(fēng)格特點，在德國音樂史上具有重要的地位。任何一位作曲家的創(chuàng)作都離不開自己心理環(huán)境的變化與大腦時刻迸發(fā)的創(chuàng)作性思維。古希臘心理學(xué)家Aretaeus曾提出“任何藝術(shù)家手下描繪出來的具象與抽象作品，，都是其心理影射與渴望”。正因為如此，本文打破傳統(tǒng)以文字或藝術(shù)作品表面結(jié)構(gòu)來研究作品，而是結(jié)合舒曼本人“環(huán)性人格”特點，從階段性心境情況與活動重組中挖掘更深層次的音樂內(nèi)心語言。 本文從舒曼的家庭環(huán)境、個體人生經(jīng)歷及自身心理情境等角度入手，采用音樂學(xué)與心理學(xué)雙向?qū)W科相結(jié)合作為分析方法，以心理學(xué)中變態(tài)心理學(xué)“環(huán)性人格”障礙剖析為切入點，對“環(huán)性人格”在舒曼及其《a小調(diào)鋼琴協(xié)奏曲》op.54中的顯現(xiàn)進行了初步探究。
[Abstract]:Robert Schumann's music creation reflects the Romantic musical style and plays an important role in the history of German music. The creation of any composer can not be separated from the change of his mental environment and the creative thinking of his brain. Aretaeus, an ancient Greek psychologist, once put forward that "the concrete and abstract works painted by any artist are his mental insinuation and desire." Because of this, this paper breaks through the traditional study of works by writing or surface structure of works of art, but combines Schumann's own characteristics of "ring personality" and excavates the deeper inner language of music from the situation of stage mood and the recombination of activities. From the perspective of Schumann's family environment, individual life experience and his own psychological situation, this paper adopts the combination of musicology and psychology as the analytical method. Based on the analysis of abnormal psychology's "ring personality" in psychology, this paper probes into the appearance of "ring personality" in Schumann and his Piano Concerto in a minor (op.54).
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J624.1
本文編號：2244274
[Abstract]:Robert Schumann's music creation reflects the Romantic musical style and plays an important role in the history of German music. The creation of any composer can not be separated from the change of his mental environment and the creative thinking of his brain. Aretaeus, an ancient Greek psychologist, once put forward that "the concrete and abstract works painted by any artist are his mental insinuation and desire." Because of this, this paper breaks through the traditional study of works by writing or surface structure of works of art, but combines Schumann's own characteristics of "ring personality" and excavates the deeper inner language of music from the situation of stage mood and the recombination of activities. From the perspective of Schumann's family environment, individual life experience and his own psychological situation, this paper adopts the combination of musicology and psychology as the analytical method. Based on the analysis of abnormal psychology's "ring personality" in psychology, this paper probes into the appearance of "ring personality" in Schumann and his Piano Concerto in a minor (op.54).
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J624.1
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相關(guān)期刊論文 前9條
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