論勃拉姆斯鋼琴作品118的音樂特征與演奏分析
發(fā)布時間：2018-09-07 17:53
【摘要】：約翰內(nèi)斯·勃拉姆斯,(JohannesBrahms,1833---1897),是德國音樂史中最后一個有重要影響的古典主義作曲家,被稱為19世紀(jì)浪漫主義的“復(fù)古者”。他的作品風(fēng)格厚重,常常帶有強(qiáng)烈的情感沖突,深受古典主義的影響,同時又融入了浪漫主義的抒情氣質(zhì)。鋼琴作品既是他所有創(chuàng)作的起點(diǎn),也是他創(chuàng)作的精髓。勃拉姆斯一生創(chuàng)作頗豐,涉及交響曲、室內(nèi)樂、變奏曲、鋼琴曲等多種體裁形式,其中晚期的幾部鋼琴小品具有頗高的藝術(shù)價值。 勃拉姆斯喜用主題變奏的作曲技法,突破傳統(tǒng)鍵盤語匯的框架,融入許多交響性色彩,創(chuàng)作出了著名的《亨德爾主題變奏與賦格》、《帕格尼尼主題變奏曲》等作品,體現(xiàn)了勃拉姆斯高超的作曲技巧。他還將許多傳統(tǒng)的作曲技法加以革新,形成獨(dú)具特色的作曲風(fēng)格。同時,對匈牙利吉普賽民間音樂的鐘愛也使得他的作品充滿了民族色彩。 晚期的鋼琴小品濃縮了他一生創(chuàng)作的精華,其中Op.118是一部動聽且內(nèi)涵豐富的鋼琴小品。因此對于這部作品中各個要素和層次的分析是必不可少的,這將為更好演奏該作品提供理論支持。對op.118的演奏分析,主要是從觸鍵、踏板、多聲部線條的演奏方法等方面做詳細(xì)論證。
[Abstract]:Johnannes Brahms (JohannesBrahms,1833-1897), the last influential classical composer in the history of German music, was called the "retro" of 19th century romanticism. The style of his works is thick, often with strong emotional conflicts, deeply influenced by classicism, and at the same time, he integrates the lyrical temperament of romanticism. Piano works are not only the starting point of all his creation, but also the essence of his creation. Brahms created a lot of works, including symphonies, chamber music, variations, piano music and so on. Brahms used the composition techniques of thematic variations to break through the framework of traditional keyboard vocabulary and incorporate a lot of symphonic colors. He created famous works such as "Handel theme Variations and Fugue", "Paganini theme Variations" and so on. It embodies Brahms' superb composition skill. He also innovated many traditional composition techniques to form a unique composition style. At the same time, the love of Hungarian Gypsy folk music also made his works full of national color. The late piano sketch condensed the essence of his life creation, among which Op.118 is a beautiful and rich piano sketch. Therefore, it is necessary to analyze the elements and levels of the work, which will provide theoretical support for better performance of the work. The analysis of op.118 is mainly from the aspects of touch key, pedal and playing method of multi-part line.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J624.1
本文編號：2228992
[Abstract]:Johnannes Brahms (JohannesBrahms,1833-1897), the last influential classical composer in the history of German music, was called the "retro" of 19th century romanticism. The style of his works is thick, often with strong emotional conflicts, deeply influenced by classicism, and at the same time, he integrates the lyrical temperament of romanticism. Piano works are not only the starting point of all his creation, but also the essence of his creation. Brahms created a lot of works, including symphonies, chamber music, variations, piano music and so on. Brahms used the composition techniques of thematic variations to break through the framework of traditional keyboard vocabulary and incorporate a lot of symphonic colors. He created famous works such as "Handel theme Variations and Fugue", "Paganini theme Variations" and so on. It embodies Brahms' superb composition skill. He also innovated many traditional composition techniques to form a unique composition style. At the same time, the love of Hungarian Gypsy folk music also made his works full of national color. The late piano sketch condensed the essence of his life creation, among which Op.118 is a beautiful and rich piano sketch. Therefore, it is necessary to analyze the elements and levels of the work, which will provide theoretical support for better performance of the work. The analysis of op.118 is mainly from the aspects of touch key, pedal and playing method of multi-part line.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J624.1
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 朱雅芬;浪漫主義的古典主義者(上)[J];鋼琴藝術(shù);2004年03期
，本文編號：2228992
本文鏈接：http://sikaile.net/wenyilunwen/qiyueyz/2228992.html
最近更新
教材專著
