【摘要】： 格魯克是18世紀(jì)德國歌劇改革家,他把資產(chǎn)階級啟蒙運(yùn)動的進(jìn)步思想融入歌劇創(chuàng)作實(shí)踐中,形成了一種新的成熟的歌劇風(fēng)格,實(shí)現(xiàn)了他和那個(gè)時(shí)代所追求的真實(shí)、自然的歌劇理想。歌劇《依菲姬尼在陶里德》是給格魯克歌劇改革事業(yè)帶來真正輝煌的集大成之杰作,也是其意大利正歌劇改革創(chuàng)作思想、創(chuàng)作手法的繼續(xù)和發(fā)展,在格魯克歌劇改革中具有非常重要的意義和地位。本文結(jié)合音樂分析學(xué)、戲劇學(xué)、音樂史學(xué)等方法,在梳理了這部歌劇的創(chuàng)作背景及成因的基礎(chǔ)上,著重從歌劇的整體藝術(shù)構(gòu)思、人物形象塑造、以及序曲與芭蕾等方面分析了歌劇的藝術(shù)風(fēng)格,指出了格魯克歌劇改革思想在這部歌劇中的創(chuàng)作實(shí)踐特色,進(jìn)而探索它的藝術(shù)價(jià)值和歷史地位。
[Abstract]:Gruke was a German opera reformer in the 18th century. He integrated the progressive thought of bourgeois Enlightenment into the opera creation practice, formed a new mature opera style, and realized the reality that he and that era pursued. The natural ideal of opera. The opera "Ifizini in Taurid" is a masterpiece that brought real brilliance to Gruk's opera reform, and it is also the continuation and development of his Italian opera reform and creative ideas and techniques. In the Gruk opera reform has a very important significance and position. This paper combines the methods of music analysis, drama, music history and so on. On the basis of combing the background and causes of the creation of the opera, this paper focuses on the overall artistic conception of the opera and the portrayal of the characters. It also analyzes the artistic style of opera from the aspects of prelude and ballet, and points out the creative and practical characteristics of Gruk's opera reform thought in this opera, and then explores its artistic value and historical status.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J609.5;J832

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 楊曉琴;格魯克的改革歌劇研究[D];上海音樂學(xué)院;2010年

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本文編號：2228274