發(fā)布時間：2018-08-30 20:30

【摘要】：音樂藝術(shù)的創(chuàng)作,是一種異常特殊而又復(fù)雜的精神活動。在這一活動中,作曲家記載的心理動態(tài)是非常復(fù)雜和豐富的,其中各種心理要素相互交織在一起,互相作用,彼此影響。從心理學(xué)的角度來探討這一問題,目的是要了解并把握音樂創(chuàng)作的心理特征,剖析音樂創(chuàng)作的心理奧秘,使人們對音樂創(chuàng)作中模糊的情感狀態(tài),深層的內(nèi)心體驗,復(fù)雜的心理動因有一個全新的認(rèn)識。 柴科夫斯基是十九世紀(jì)偉大的作曲家,他的作品有著不同于其它作曲家的沁人心脾的抒情性,驚心動魄的悲劇性,同時又有強(qiáng)烈的時代精神。他的作品有著持久而強(qiáng)勁的藝術(shù)感染力和強(qiáng)烈的震撼力。在這里,筆者選擇了柴科夫斯基作為研究對象,通過查閱有關(guān)柴科夫斯基的音樂文獻(xiàn)資料和對心理學(xué)有關(guān)研究方法和研究成果的運用和借鑒,對柴科夫斯基音樂創(chuàng)作心理進(jìn)行了一系列的分析和研究。 主要內(nèi)容分四個部分: 第一部分:興趣和意志是柴科夫斯基音樂創(chuàng)作的首要心理要素。興趣引領(lǐng)柴科夫斯基走上音樂創(chuàng)作之路及意志是柴科夫斯基音樂創(chuàng)作的重要保證。 第二部分:柴科夫斯基音樂創(chuàng)作的前提基礎(chǔ)是感知與記憶。柴科夫斯基感知事物的方式及記憶是柴科夫斯基音樂創(chuàng)作的源泉。 第三部分:柴科夫斯基音樂創(chuàng)作的軸心是思維和想象。創(chuàng)造性思維在音樂創(chuàng)作中的作用及想象是音樂創(chuàng)作靈性升華的階梯。 第四部分:柴科夫斯基的創(chuàng)作風(fēng)格是由氣質(zhì)和性格決定的。柴科夫斯基的抑郁質(zhì)氣質(zhì)及柴科夫斯基音樂作品的多情性和悲劇性是由柴科夫斯基的性格決定的。
[Abstract]:The creation of music art is a special and complex spiritual activity. In this activity, the psychological dynamics recorded by the composer are very complex and rich, in which various psychological elements interweave, interact and influence each other. The purpose of discussing this problem from the angle of psychology is to understand and grasp the psychological characteristics of music creation, to analyze the psychological mystery of music creation, to make people have a vague emotional state and deep inner experience in music creation. Complex psychological motivation has a new understanding. Tchaikovsky is a great composer in the nineteenth century. His works are different from other composers in their lyricism, soul-stirring tragedy and strong spirit of the times. His works have a lasting and strong artistic appeal and a strong shock. Here, the author chooses Tchaikovsky as the object of study, through consulting the music literature about Tchaikovsky and the application and reference to psychology related research methods and research results. Tchaikovsky's music creation psychology has carried on a series of analysis and the research. The main content is divided into four parts: the first part: interest and will are the primary psychological elements of Tchaikovsky's music creation. Interest leads Tchaikovsky to music creation road and will is the important guarantee of Tchaikovsky music creation. The second part: the premise of Tchaikovsky's music creation is perception and memory. Tchaikovsky's way of perceiving things and his memory are the fountainhead of Tchaikovsky's music creation. The third part: the axis of Tchaikovsky's music creation is thinking and imagination. The function and imagination of creative thinking in music creation is the ladder of spiritual sublimation of music creation. The fourth part: Tchaikovsky's writing style is determined by temperament and character. Tchaikovsky's depressive temperament and the sentimental and tragic nature of Tchaikovsky's musical works are determined by Tchaikovsky's character.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J605

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本文編號：2214203