鄂爾多斯蒙古族短調(diào)情歌分類及其演唱研究
發(fā)布時(shí)間:2018-08-30 10:42
【摘要】:流傳于鄂爾多斯地區(qū)的蒙古族短調(diào)情歌,具有少數(shù)民族傳統(tǒng)民歌的典型特征。其內(nèi)容豐富多樣,情感表達(dá)細(xì)膩,生動(dòng)的刻畫了蒙古族青年男女飽含真情的愛情生活,使人真正感受到鄂爾多斯短調(diào)民歌的藝術(shù)魅力和蒙古族音樂博大精深的文化底蘊(yùn),為民族聲樂的創(chuàng)作和演唱提供了豐富的素材。 本文試從民族音樂學(xué)、作曲學(xué)、聲樂學(xué)等方面,對鄂爾多斯蒙古族短調(diào)情歌的形成背景、音樂特征、演唱特點(diǎn)及傳承和發(fā)展進(jìn)行闡述。以鄂爾多斯蒙古族短調(diào)情歌的音樂特征和歌唱特點(diǎn)為重點(diǎn):首先根據(jù)鄂爾多斯蒙古族短調(diào)情歌的內(nèi)容來分類;其次通過分析鄂爾多斯蒙古族短調(diào)情歌的調(diào)式特點(diǎn)、旋律特點(diǎn)、節(jié)奏特點(diǎn)來總結(jié)鄂爾多斯蒙古族短調(diào)情歌的音樂特征;最后通過歌唱的發(fā)聲方法、潤腔特點(diǎn)、語言特點(diǎn)來總結(jié)鄂爾多斯蒙古族短調(diào)情歌的演唱特點(diǎn)。 在具體研究過程中,筆者利用田野調(diào)查、聲樂理論、文獻(xiàn)研讀、實(shí)例引證等方法,對鄂爾多斯蒙古族短調(diào)情歌的歷史溯源、社會(huì)功能審美情境和傳承發(fā)展等方面也進(jìn)行了一定的剖析。由于相關(guān)學(xué)術(shù)資料不是很多,加之筆者學(xué)識有限,只能從幾個(gè)最基本層面進(jìn)行分析,希望對傳統(tǒng)音樂感興趣的有識之士對鄂爾多斯蒙古族短調(diào)情歌更加深入的研究,為傳承和保護(hù)少數(shù)民族傳統(tǒng)文化做一點(diǎn)貢獻(xiàn)。
[Abstract]:Mongolian short-tune love songs, which spread in Ordos region, have the typical characteristics of traditional folk songs of minority nationalities. It is rich in content, exquisite in emotional expression, vividly depicts the true love life of young Mongolian men and women, and makes people really feel the artistic charm of Ordos short tune folk songs and the rich and profound cultural background of Mongolian music. It provides abundant materials for the creation and singing of national vocal music. From the aspects of ethnomusicology, composition and vocal music, this paper expounds the formation background, musical characteristics, singing characteristics, inheritance and development of the Mongolian short flirting songs in Ordos. This paper focuses on the music and singing characteristics of the Mongolian short flirting songs in Ordos: firstly, it classifies them according to the contents of the short flirting songs of the Ordos Mongolians; secondly, it analyzes the characteristics of the tunes and melodies of the Mongolian short flirting songs in Ordos. The rhythm features to sum up the music characteristics of Ordos Mongolian short flirting song; finally through the singing voice features, language characteristics to summarize the characteristics of Ordos Mongolian short flirting song singing characteristics. In the process of specific research, the author traces the history of the Mongolian flirting songs of Ordos by using the methods of field investigation, vocal music theory, literature study, case study, and so on. Social function aesthetic situation and inheritance and development are also analyzed. As the relevant academic materials are not many, and the author's knowledge is limited, can only be analyzed from several basic levels, hoping that the people of insight who are interested in traditional music will do more in-depth research on the Ordos Mongolian short tune love songs. We will make some contributions to the inheritance and protection of the traditional culture of ethnic minorities.
【學(xué)位授予單位】:內(nèi)蒙古大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J616.2
本文編號:2212828
[Abstract]:Mongolian short-tune love songs, which spread in Ordos region, have the typical characteristics of traditional folk songs of minority nationalities. It is rich in content, exquisite in emotional expression, vividly depicts the true love life of young Mongolian men and women, and makes people really feel the artistic charm of Ordos short tune folk songs and the rich and profound cultural background of Mongolian music. It provides abundant materials for the creation and singing of national vocal music. From the aspects of ethnomusicology, composition and vocal music, this paper expounds the formation background, musical characteristics, singing characteristics, inheritance and development of the Mongolian short flirting songs in Ordos. This paper focuses on the music and singing characteristics of the Mongolian short flirting songs in Ordos: firstly, it classifies them according to the contents of the short flirting songs of the Ordos Mongolians; secondly, it analyzes the characteristics of the tunes and melodies of the Mongolian short flirting songs in Ordos. The rhythm features to sum up the music characteristics of Ordos Mongolian short flirting song; finally through the singing voice features, language characteristics to summarize the characteristics of Ordos Mongolian short flirting song singing characteristics. In the process of specific research, the author traces the history of the Mongolian flirting songs of Ordos by using the methods of field investigation, vocal music theory, literature study, case study, and so on. Social function aesthetic situation and inheritance and development are also analyzed. As the relevant academic materials are not many, and the author's knowledge is limited, can only be analyzed from several basic levels, hoping that the people of insight who are interested in traditional music will do more in-depth research on the Ordos Mongolian short tune love songs. We will make some contributions to the inheritance and protection of the traditional culture of ethnic minorities.
【學(xué)位授予單位】:內(nèi)蒙古大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J616.2
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 李世相;;蒙古族民歌的基本特征探微[J];內(nèi)蒙古藝術(shù);2005年02期
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