發(fā)布時(shí)間：2018-08-12 20:33

【摘要】：在中國(guó)的傳統(tǒng)音樂中,有很多存在著高低變化的音。它不同于西方的平直進(jìn)行的音,它們的存在千姿百態(tài),沒有特定的規(guī)律,它就是“音腔”。它最主要的特點(diǎn)沒有固定的音高特征,所以在用現(xiàn)代通用的讀譜法是很難來演唱的,因?yàn)樗莵碜杂谖鞣降摹肮缍喑ā?其唱名do、re、mi、fa、sol、la、si的發(fā)音特點(diǎn)是音高固定。而用音高固定的do、re、mi等唱名來讀唱音高不固定的音腔,難以唱出中國(guó)旋律特有的韻味。王亮教授“潤(rùn)腔讀譜法”的提出,就是通過改造現(xiàn)通用唱名和革新讀譜理念而形成的一種旨在體現(xiàn)中國(guó)旋律特有音腔和韻味,并具有潤(rùn)飾唱腔的讀譜方法。本文首先從地理角度、文化角度、哲學(xué)角度、審美角度以及形態(tài)特征等方面研究了中國(guó)音樂的特征,潤(rùn)腔讀譜法的研究正是在這樣的一種特征中研究而成,也正是這樣的音樂特征說明年了潤(rùn)腔讀譜法的適用性,并對(duì)潤(rùn)腔讀譜法加以深入的介紹的基礎(chǔ)上,研究了民族彈撥樂器古箏、琵琶、古琴的樂器性能、音色特點(diǎn)和演奏技法等方面,并通過樂器的實(shí)際譜例來加以分析潤(rùn)腔讀譜法在民族彈撥樂器中的應(yīng)用,最終整理并總結(jié)出一些帶有實(shí)用性的,可以唱出中國(guó)民族音樂特有韻味的越普及法規(guī)律,并且運(yùn)用到課堂的教學(xué)中,對(duì)我國(guó)民族音樂的發(fā)展與教學(xué)提出了很大的幫助。
[Abstract]:In Chinese traditional music, there are a lot of high and low changes in sound. It is different from the straight-going sound of the West, they exist in a variety of forms, there is no specific law, it is the "voice." Its main feature is that it has no fixed pitch, so it is difficult to sing in the modern universal reading method, because it comes from the "Guido singing method" in the West, and its pronunciation is characterized by fixed pitch. However, it is difficult to sing Chinese melodies by using the fixed pitch of Dodeli and other names to read and sing the tunes with unfixed pitch. Professor Wang Liang's proposal of "the method of reading a score with a melodies" is a kind of reading method which is formed by reforming the current universal singing name and innovating the concept of reading the music, which is aimed at reflecting the unique sound and charm of Chinese melodies and having the ability to embellish the singing tone. This paper first studies the characteristics of Chinese music from geographical, cultural, philosophical, aesthetic and morphological aspects. It is precisely this kind of musical characteristic that the applicability of the Runxuan reading method is discussed next year, and on the basis of the in-depth introduction of the Runxuan reading method, the performances of the national plucked musical instruments guzheng, pipa, and guqin are studied. In the aspects of timbre characteristics and playing techniques, and through the actual music examples of musical instruments to analyze the application of the reading spectrum method in the national plucked musical instruments, finally sort out and summarize some practical, It can sing the law of popularizing Chinese folk music and applying it to the teaching of Chinese folk music, which is of great help to the development and teaching of Chinese folk music.
【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J632.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 胡小軍;音腔是體現(xiàn)中國(guó)傳統(tǒng)音樂藝術(shù)特色的精邃[J];三明師專學(xué)報(bào);1998年04期

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本文編號(hào)：2180288