本文選題：合唱藝術(shù)風(fēng)格 + 合唱?jiǎng)?chuàng)作風(fēng)格�。� 參考：《湖南師范大學(xué)》2006年碩士論文

【摘要】：本文分為引言、正文和結(jié)語(yǔ)三部分。 其中正文以歷史階段為線索,采用整體綜合研究的方法,對(duì)中國(guó)建國(guó)前的合唱藝術(shù)的風(fēng)格及其階段性衍變進(jìn)行了概括性的探究,另外,筆者還試圖根據(jù)它的階段性衍變風(fēng)格,分析出它對(duì)中國(guó)當(dāng)代合唱藝術(shù)發(fā)展的借鑒與啟示,文章主要分為四個(gè)章節(jié);第一章:“學(xué)堂樂(lè)歌”時(shí)期合唱藝術(shù)的風(fēng)格特點(diǎn);第二章:“五四”時(shí)期合唱藝術(shù)的風(fēng)格特點(diǎn);第三章:“抗日、解放戰(zhàn)爭(zhēng)”時(shí)期合唱藝術(shù)的風(fēng)格特點(diǎn);第四章:建國(guó)前的中國(guó)合唱藝術(shù)風(fēng)格的階段性衍變對(duì)中國(guó)當(dāng)代合唱藝術(shù)發(fā)展的借鑒和啟示。 本文分別對(duì)“學(xué)堂樂(lè)歌”、“五四”和“抗日、解放戰(zhàn)爭(zhēng)”三個(gè)歷史時(shí)期的合唱作品的創(chuàng)作特點(diǎn)(包括創(chuàng)作背景、創(chuàng)作模式、歌詞創(chuàng)作特點(diǎn)、作曲技法分析)、表演風(fēng)格(包括演唱、指揮與伴奏特點(diǎn))、審美特點(diǎn)以及各階段合唱藝術(shù)風(fēng)格的衍變特點(diǎn)等進(jìn)行了相關(guān)的研究。 筆者認(rèn)為,合唱藝術(shù)風(fēng)格發(fā)展的延續(xù)性與階段性,都與其音樂(lè)本體的技術(shù)法則的歷史規(guī)定性密切相關(guān),合唱藝術(shù)的風(fēng)格之所以可以呈現(xiàn)出階段性,每一階段的主體風(fēng)格特點(diǎn)都不重復(fù),都是時(shí)代精神、社會(huì)風(fēng)貌影響和制約的結(jié)果。盡管同一時(shí)代的合唱作曲家的作曲技法、音樂(lè)表現(xiàn)的語(yǔ)言不盡相同,但從歷史的、宏觀的角度上分析,就不難得出他們具有的大體一致的主體風(fēng)格與整體風(fēng)貌,而且這種合唱的時(shí)代主體風(fēng)格的衍變是以社會(huì)的群體審美意識(shí)與審美趣味的改變?yōu)榛A(chǔ)的,因此,本文試圖通過(guò)分析上述各歷史時(shí)期中能體現(xiàn)該時(shí)期的時(shí)代主體風(fēng)格的作曲家群的合唱作品的社會(huì)因素與技術(shù)法則,來(lái)推斷出該歷史時(shí)期的合唱藝術(shù)的風(fēng)格表現(xiàn)特點(diǎn)與衍變的規(guī)律與特征,最后筆者
[Abstract]:This article is divided into three parts: introduction, text and conclusion. The text takes the historical stage as the clue, adopts the overall comprehensive research method, has carried on the general exploration to the Chinese choral art style and its stage evolution before the founding of the people's Republic of China, in addition, the author also attempts to according to its stage evolvement style, The article is divided into four chapters: the first chapter is the style characteristics of chorus art in the period of "school music song", the second chapter: the style characteristic of chorus art during the "May 4th" period; Chapter three: the style characteristics of chorus art in the period of "War of Resistance against Japan and Liberation", the fourth chapter: the stage evolution of Chinese chorus art style before the founding of the people's Republic of China and its enlightenment to the development of Chinese contemporary chorus art. In this paper, the creative characteristics of chorus works in the three historical periods (including the background of creation, the creation mode, the creative characteristics of lyrics and the creation of lyrics) in the three historical periods of "School Song", "May 4th" and "War of Liberation" are discussed respectively. Analysis of composition techniques), performance style (including singing, command and accompaniment characteristics), aesthetic characteristics and the evolution of the various stages of choral art style were studied. The author believes that the continuity and stage of the development of choral art style are closely related to the historical stipulation of the technical rules of its music Noumenon, and the style of choral art can take on a stage. The main style features of each stage are not repeated, are the result of the influence and restriction of the spirit of the times and social features. Although the composition techniques and musical expressions of choral composers of the same era are not the same, it is not difficult to find out from a historical and macroscopic perspective that they have roughly the same subject style and overall style. Moreover, the evolution of the style of the main body of this chorus is based on the change of the social aesthetic consciousness and aesthetic taste. This paper attempts to analyze the social factors and technical principles of the choral works of composers in each of the historical periods mentioned above, which can reflect the main style of the period. To infer the characteristics of the style and evolution of the choral art in this historical period, and finally the autho
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J616

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 陳勇;;社會(huì)學(xué)視野下的19世紀(jì)上半葉德國(guó)合唱音樂(lè)實(shí)踐[J];黃鐘(中國(guó).武漢音樂(lè)學(xué)院學(xué)報(bào));2010年04期

相關(guān)碩士學(xué)位論文 前3條

1 韓婧;改革開(kāi)放前后我國(guó)合唱藝術(shù)的發(fā)展研究[D];河南師范大學(xué);2011年

2 周林琪;高位唱法的訓(xùn)練與運(yùn)用[D];廈門(mén)大學(xué);2008年

3 陳述知;沈亞威歌曲創(chuàng)作研究[D];南京藝術(shù)學(xué)院;2010年

，

本文編號(hào)：2099692