本文選題：傳統(tǒng)樂(lè)曲 + 改編�。� 參考：《西南大學(xué)》2006年碩士論文

【摘要】：本文以中國(guó)傳統(tǒng)樂(lè)曲鋼琴改編曲為研究對(duì)象，通過(guò)對(duì)鋼琴改編曲的整體把握和分析，歸納出鋼琴音樂(lè)中國(guó)風(fēng)格的具體特征，這些風(fēng)格特征是中國(guó)鋼琴音樂(lè)區(qū)別于西方鋼琴音樂(lè)的主要標(biāo)志。文章對(duì)中國(guó)傳統(tǒng)樂(lè)曲的鋼琴化改編歷程進(jìn)行了回顧，歸納了每個(gè)階段的代表作和階段特征；并重點(diǎn)從五聲調(diào)式、旋律特征、標(biāo)題性、對(duì)民族樂(lè)器音色神韻的模仿性以及結(jié)構(gòu)的延展性特點(diǎn)等幾個(gè)方面論述了鋼琴音樂(lè)的中國(guó)風(fēng)格；同時(shí)從鋼琴改編作品歷史脈絡(luò)的研究等方面論述了中國(guó)風(fēng)格鋼琴作品在彈奏中應(yīng)注意的幾個(gè)問(wèn)題。 鋼琴改編曲與鋼琴音樂(lè)的中國(guó)風(fēng)格之間的關(guān)系可以概括為：中國(guó)鋼琴改編曲直接為鋼琴音樂(lè)中國(guó)風(fēng)格的形成和提供了實(shí)踐基礎(chǔ)，而鋼琴音樂(lè)的中國(guó)風(fēng)格又為鋼琴改編曲的編創(chuàng)提供了成功與否的標(biāo)準(zhǔn)。鋼琴音樂(lè)的中國(guó)風(fēng)格從深層意義上講來(lái)源于中國(guó)傳統(tǒng)文化，特別是傳統(tǒng)音樂(lè)文化。對(duì)鋼琴音樂(lè)中國(guó)風(fēng)格的提煉須以中國(guó)傳統(tǒng)樂(lè)曲的鋼琴化改編為實(shí)踐基礎(chǔ)，在傳統(tǒng)樂(lè)曲的鋼琴改編實(shí)踐中，為了表現(xiàn)中國(guó)傳統(tǒng)音樂(lè)的“神韻”，作曲家們創(chuàng)造性地發(fā)展了一系列表現(xiàn)手法，如中國(guó)化和聲、織體等，這些技法是鋼琴音樂(lè)中國(guó)風(fēng)格的具體表現(xiàn)，“中國(guó)風(fēng)格”是對(duì)這些技法的概括和綜合提煉。因此可以說(shuō)沒(méi)有對(duì)傳統(tǒng)樂(lè)曲的鋼琴化改編，鋼琴音樂(lè)的中國(guó)風(fēng)格就難以形成。另外具有“中國(guó)風(fēng)格”鋼琴改編曲能有效地表現(xiàn)中國(guó)音樂(lè)文化傳統(tǒng)，，符合中國(guó)人的音樂(lè)審美情趣，從而易于被中國(guó)聽眾喜愛(ài)和接受�！懊褡宓谋闶鞘澜绲摹保褡宓囊嗍亲约邯�(dú)特的東西，對(duì)中國(guó)傳統(tǒng)樂(lè)曲鋼琴改編曲的研究，進(jìn)而對(duì)中國(guó)鋼琴音樂(lè)風(fēng)格內(nèi)在本質(zhì)和表現(xiàn)形式的深入挖掘，是在世界鋼琴音樂(lè)流派中形成中國(guó)鋼琴學(xué)派的希望所在。
[Abstract]:This article takes the Chinese traditional piano music adaptation as the research object, through the overall grasp and the analysis to the piano adaptation music, summarizes the piano music Chinese style concrete characteristic, These style features are the main symbol of the difference between Chinese piano music and western piano music. This paper reviews the course of piano adaptation of Chinese traditional music, summarizes the representative works and stage characteristics of each stage, and focuses on the pentatonic, melody, title, and so on. This paper discusses the Chinese style of piano music from the aspects of the imitation of timbre and charm of national musical instruments and the extensibility of structure. At the same time, this paper discusses several problems that should be paid attention to in playing piano works of Chinese style from the aspects of the historical context of piano adaptation works. The relationship between piano adaptation and the Chinese style of piano music can be summarized as follows: the Chinese piano adaptation directly provides the practical basis for the formation and practice of the Chinese style of piano music. The Chinese style of piano music provides the standard of success for the creation of piano adaptation. The Chinese style of piano music comes from Chinese traditional culture, especially traditional music culture. To refine the Chinese style of piano music, we should take the piano adaptation of Chinese traditional music as the practical basis, in order to express the "charm" of Chinese traditional music in the piano adaptation practice of traditional music, Composers creatively developed a series of expression techniques, such as Chinese-style harmony, texture and so on. These techniques are the concrete expression of Chinese style of piano music, and "Chinese style" is a summary and comprehensive extraction of these techniques. Therefore, without the piano adaptation of traditional music, the Chinese style of piano music is difficult to form. In addition, the piano adaptation with "Chinese style" can effectively express the Chinese musical culture tradition, which conforms to the Chinese music aesthetic taste and is easy to be loved and accepted by the Chinese audience. "the nation is the world", the nation is also its own unique thing, to the Chinese traditional music piano adaptation of the study, and then to the Chinese piano music style of the intrinsic nature and expression of the in-depth excavation, It is the hope of forming Chinese piano school in the world piano music school.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J624.1

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 舒小立;天府琴韻[D];四川師范大學(xué);2007年

本文編號(hào)：2095575