本文選題：再見了大別山 + 藝術(shù)特征��； 參考：《福建師范大學(xué)》2014年碩士論文

【摘要】：近年來,我國聲樂藝術(shù)的發(fā)展遭遇瓶頸,非但受到現(xiàn)代流行音樂的沖擊,還受到數(shù)字聲樂技術(shù)的沖擊,能夠成為經(jīng)典傳唱的民族風(fēng)格的聲樂作品日益減少,值得深刻思考。本文試圖辯證分析經(jīng)典曲目《再見了,大別山》的藝術(shù)特征,并引申分析其在思想、文學(xué)、聲樂等方面對當(dāng)代聲樂作品創(chuàng)作有積極影響的綜合價(jià)值,試圖從中找出能夠增強(qiáng)傳統(tǒng)民族樂曲生命力和創(chuàng)新力的藝術(shù)路徑。
[Abstract]:In recent years, the development of Chinese vocal music has encountered a bottleneck, not only by the impact of modern pop music, but also by the impact of the digital vocal music technology. The vocal music works that can become a classical folk style are decreasing and worth thinking deeply. This article tries to analyze the artistic features of the classic "goodbye, Dabie Mountain >" and the extension points. It analyzes the comprehensive value that has a positive influence on the creation of contemporary vocal music in the aspects of thought, literature, vocal music and so on, and tries to find out the artistic path that can enhance the vitality and innovation of the traditional national music.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J605

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