本文選題：拉威爾 + F大調(diào)弦樂四重奏��； 參考：《山東藝術(shù)學(xué)院》2014年碩士論文

【摘要】：莫里斯·拉威爾是十九世紀(jì)末二十世紀(jì)初法國(guó)著名的作曲家、鋼琴家、指揮家，印象主義音樂的杰出代表人物之一。他一生的音樂創(chuàng)作頗豐，涉及歌劇、舞劇、藝術(shù)歌曲、管弦樂、室內(nèi)樂、鋼琴等多個(gè)領(lǐng)域。他的音樂作品種類眾多，，題材豐富，既包含各種各樣的音樂風(fēng)格，又獨(dú)創(chuàng)性地具有自身的音樂特點(diǎn)。 本文以拉威爾《F大調(diào)弦樂四重奏》為切入點(diǎn)，主要從這部作品的曲式結(jié)構(gòu)、調(diào)式調(diào)性思維以及和聲技法三個(gè)方面進(jìn)行研究，細(xì)致分析與歸納其和聲語匯，力求探索出拉威爾和聲語言的風(fēng)格特征以及音樂風(fēng)格的形成與和聲技法、曲式結(jié)構(gòu)的運(yùn)用之間密不可分的關(guān)系。 全文包括引言、正文和結(jié)語三個(gè)部分。引言闡述了本課題選題的研究目的、研究意義以及研究現(xiàn)狀。正文分為五章，第一、二章闡述了印象主義音樂的形成與特征、印象主義音樂的代表人物、拉威爾的生平與創(chuàng)作生涯，以及弦樂四重奏的發(fā)展脈絡(luò)、拉威爾《F大調(diào)弦樂四重奏》的創(chuàng)作背景。第三章敘述了奏鳴——交響套曲以及《F大調(diào)弦樂四重奏》各樂章的曲式結(jié)構(gòu)特點(diǎn)。第四章主要著眼于作品的調(diào)式調(diào)性思維分析，對(duì)調(diào)式的旋律呈現(xiàn)、調(diào)性的建立方式、和聲調(diào)性的展開方式以及調(diào)式滲透、調(diào)式復(fù)合手法的運(yùn)用加以闡述。第五章是針對(duì)《F大調(diào)弦樂四重奏》和聲技法的探析，包括和弦的縱向構(gòu)成與和聲的橫向進(jìn)行兩個(gè)方面，尋繹該作品色彩性的和聲創(chuàng)作手法。文章結(jié)語部分結(jié)合哲學(xué)基本原理，總結(jié)了拉威爾《F大調(diào)弦樂四重奏》這部作品的音樂特點(diǎn)及其重要的音樂地位。
[Abstract]:Maurice Ravel is a famous French composer, pianist, conductor and one of the outstanding representatives of Impressionist music in the late 19th century and early 20th century. His life of music creation, involving opera, dance, art songs, orchestral, chamber music, piano and other fields. His musical works include many kinds of music, rich themes, including all kinds of musical styles, but also have their own musical characteristics. This paper takes Ravel's string Quartet in F major as the starting point, mainly from three aspects of the musical structure, the mode of thinking and the harmony technique, and analyzes and sums up its harmony vocabulary in detail. It tries to explore the style characteristics of Ravel's harmony language, the formation of musical style and the harmony technique, and the close relationship between the use of musical structure. The full text includes three parts: introduction, text and conclusion. The introduction describes the purpose, significance and current situation of this topic. The text is divided into five chapters. The first and second chapters describe the formation and characteristics of Impressionist music, the representative characters of Impressionist music, Ravel's life and creative career, and the development of string quartet. The background of Ravel's string Quartet in F major. The third chapter describes the musical structure of the symphonic ensemble and string quartet in F major. The fourth chapter mainly focuses on the analysis of the mode of tonality thinking, the presentation of the melody of the tone, the establishment of the tonality, the expansion of the tone and the application of the mode of penetration and the application of the compound technique of the mode. The fifth chapter analyzes the harmony techniques of string quartet in F major, including the vertical composition of the chord and the horizontal harmony. The conclusion of the article combines the basic principles of philosophy and summarizes the musical characteristics and important musical status of Ravel string Quartet in F major.
【學(xué)位授予單位】：山東藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J614.1

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