本文選題：莫扎特 + 長笛協(xié)奏曲��； 參考：《沈陽音樂學(xué)院》2014年碩士論文

【摘要】：莫扎特的一生艱苦坎坷，但這并沒有停止他創(chuàng)作音樂的腳步，在他三十五年的一生中創(chuàng)作了六百多部杰出的作品，，這驚人的作品量的背后是他對(duì)音樂的熱愛和付出，這也是他獨(dú)特和偉大的地方。他的音樂語言平易近人，形式結(jié)構(gòu)清晰嚴(yán)謹(jǐn)，又有深刻的內(nèi)涵和深廣的思想感情，他能夠很巧妙的把這些元素平衡和結(jié)合。他的音樂風(fēng)格自然、陽光。他也是維也納古典樂派最典型的作曲家，確立了18世紀(jì)古典主義協(xié)奏曲的結(jié)構(gòu)原則。他為長笛協(xié)奏曲的發(fā)展做出了巨大的貢獻(xiàn)，1777—1778年期間連續(xù)創(chuàng)作了三首長笛協(xié)奏曲：《G大調(diào)長笛協(xié)奏曲》（K.313）、《D大調(diào)長笛協(xié)奏曲》（K.314）、《C大調(diào)長笛與豎琴協(xié)奏曲》（K.299）。 本文結(jié)合莫扎特的創(chuàng)作背景和古典主義協(xié)奏曲的創(chuàng)立發(fā)展，對(duì)《G大調(diào)長笛協(xié)奏曲》宏觀綜合的做了分析和研究。通過各個(gè)角度的分析以達(dá)到如何能更完美準(zhǔn)確的演奏該首作品的目的。特別是對(duì)在本首作品中出現(xiàn)的長笛與樂隊(duì)的合作、莫扎特風(fēng)格下長笛技術(shù)的演奏要點(diǎn)——其中包括顫音、裝飾音、吐音、連音等,一系列長笛演奏技術(shù)的進(jìn)一步研究。
[Abstract]:Mozart's life was hard and rough, but this did not stop him from making music. In his thirty-five years of life, he created more than 600 outstanding works. Behind this amazing amount of work was his love and devotion to music. This is also his unique and great place. His musical language is approachable, the form structure is clear and rigorous, and has the profound connotation and the profound thought and emotion, he can very skillfully balance and combine these elements. His musical style is natural and sunny. He was also the most typical composer of the Vienna classical music school, and established the structural principles of the 18 th century classical concerto. He made great contributions to the development of flute concerto. During the period of 1777-1778, he wrote three flute concertos: flute Concerto in G major (K. 313), Flute Concerto in D major (K. 314), flute and harp Concerto in C major (K. 299). Based on the background of Mozart's creation and the establishment and development of classical Concerto, this paper analyzes and studies the macro synthesis of Flute Concerto in G major. Through the analysis of various angles to achieve the goal of how to play the first piece more perfectly and accurately. Especially the cooperation between flute and band in this work, the key points of flute technology in Mozart style-including vibrato, decorative sound, spit tone, consonant, etc., and a series of further research on flute playing technology.
【學(xué)位授予單位】：沈陽音樂學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J621.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 譚錚;;莫扎特長笛作品在長笛教學(xué)中的重要地位和演奏風(fēng)格[J];黃河之聲;1997年01期

2 曹陽;;莫扎特作品中裝飾音演奏法之探討[J];藝術(shù)研究;2010年02期

本文編號(hào)：2064467