本文選題：安代 + 風(fēng)格　； 參考：《內(nèi)蒙古師范大學(xué)》2014年碩士論文

【摘要】：《兒童鋼琴曲集-安代》是以蒙古族安代歌舞音樂為背景創(chuàng)作的兒童鋼琴音樂作品。這是第一部以蒙古族傳統(tǒng)文化“安代”為題材創(chuàng)作的兒童鋼琴曲集，也是一部將蒙古族安代民歌作為音樂語言創(chuàng)作的作品。這部曲集吸收了蒙古族民間音樂精華，借鑒西方音樂創(chuàng)作技法，，探索運用多種作曲技術(shù)表現(xiàn)蒙古族傳統(tǒng)音樂文化。作品傾注了作者對于民族音樂的深厚感情，具有典型的蒙古族風(fēng)格特征。 本文主要采用文獻(xiàn)研究與譜例分析相結(jié)合的方法，從作曲理論角度按照不同的技法類別進(jìn)行細(xì)致分析和研究，重點集中在呼應(yīng)技法、主題形態(tài)、和聲技法、調(diào)式運用、復(fù)調(diào)技法、固定音型以及現(xiàn)代作曲技法等方面的研究。文章結(jié)合了蒙古族生產(chǎn)生活與安代文化之間的緊密聯(lián)系，深入剖析曲作者如何將民族、傳統(tǒng)和現(xiàn)代音樂風(fēng)格進(jìn)行融合并且進(jìn)行創(chuàng)作。 文章主要有三部分內(nèi)容：第一章簡要論述蒙古族傳統(tǒng)音樂文化中的“安代”及其社會功能。分析了《兒童鋼琴曲集——安代》的基本構(gòu)成及其音樂風(fēng)格特征，為充分理解蒙古族安代音樂文化與其它民間音樂之間的緊密聯(lián)系提供借鑒。第二章從作曲理論角度出發(fā)，運用文獻(xiàn)研究與譜例分析相結(jié)合的方法，著重論述了《安代傳說》、《安代故事》以及《安代幻想》的各種創(chuàng)作技法。本章內(nèi)容是全文寫作的重點。旨在從民族、傳統(tǒng)和現(xiàn)代的三種不同的風(fēng)格特征探尋作者的創(chuàng)作構(gòu)思，并且從中得到創(chuàng)作啟示。第三章從宏觀的角度探討這部兒童鋼琴曲集對于民族音樂的繼承和創(chuàng)新。 這項研究的創(chuàng)新之處首先表現(xiàn)在文章的分析和研究主要從文化現(xiàn)象本身所表現(xiàn)出的音樂形態(tài)特征展開分析，脫離其宗教意義，屬于世俗題材。文章從蒙古族民族文化、生產(chǎn)生活和審美意識等多角度審視和概括其藝術(shù)價值。其次，這項研究課題不僅為蒙古族風(fēng)格兒童鋼琴曲創(chuàng)作研究充實了內(nèi)容，而且在厚重的安代文化與兒童鋼琴小曲載體不易平衡的狀態(tài)下尋找出路。因此，本文是在原有蒙古族音樂文化研究基礎(chǔ)之上的一項創(chuàng)新研究。 通過本文寫作，試圖讓人們從樂曲的創(chuàng)作技法方面對其所表現(xiàn)出的民族性、時代性和創(chuàng)新性有一個系統(tǒng)、全面的了解，對于作者如何在民族文化中尋找自己的音樂語言并將其轉(zhuǎn)化為音樂創(chuàng)作思維有一個正確的認(rèn)識。希望通過本文使更多的人能熟悉和喜愛《兒童鋼琴曲集—安代》，為推動內(nèi)蒙古民族音樂的發(fā)展、弘揚內(nèi)蒙古音樂文化盡一點綿薄之力。
[Abstract]:Children's Piano Collection-Andai is a children's piano music composed in the background of Mongolian Andi song and dance music. This is the first collection of children's piano music on the theme of the Mongolian traditional culture "Andai". It is also a work of Mongolian folk songs as a musical language. This collection absorbs the essence of Mongolian folk music, draws lessons from western musical creation techniques, and explores the use of various composing techniques to express Mongolian traditional music culture. The works pour into the author's deep feelings for national music and have typical Mongolian style characteristics. This article mainly uses the literature research and the spectrum example analysis method, from the composition theory angle carries on the detailed analysis and the research according to the different technique category, the emphases is focused on the echo technique, the theme form, the harmony technique, the mode application. The study of polyphonic technique, fixed tone type and modern composition technique. Combined with the close relationship between Mongolian production and culture, this paper deeply analyzes how the songwriter combines the national, traditional and modern musical styles and creates them. There are three parts in this paper: the first chapter briefly discusses the "Andai" and its social function in Mongolian traditional music culture. This paper analyzes the basic composition and musical style characteristics of Children's Piano Collection-Andai, which provides a reference for fully understanding the close relationship between Mongolian Andi's music culture and other folk music. In the second chapter, from the angle of composition theory, by using the method of literature research and spectral case analysis, the author emphatically discusses the various creative techniques of "Andai Legend", "Andai Story" and "Andai Fantasy". The content of this chapter is the focal point of full-text writing. The purpose of this paper is to explore the author's creative conception from three different characteristics of nationality, tradition and modern style, and to get inspiration from it. Chapter three discusses the inheritance and innovation of this collection of children's piano songs to folk music from the macro point of view. The innovation of this study lies in the analysis and research of the article mainly from the characteristics of the music form shown by the cultural phenomenon itself, which deviates from its religious significance and belongs to the secular subject matter. This paper examines and generalizes the artistic value of Mongolian nationality from the aspects of national culture, production and life and aesthetic consciousness. Secondly, this research topic not only enriches the content of Mongolian children's piano music creation, but also finds a way out under the condition that it is not easy to balance the heavy culture of Andai and the carrier of children's piano music. Therefore, this paper is an innovative study based on the original Mongolian music culture research. Through the writing of this paper, we try to make people have a systematic and comprehensive understanding of the nationality, the times and the innovation of the music from the aspect of the composing techniques. The author has a correct understanding of how to find his own music language in national culture and transform it into music creation thinking. It is hoped that more and more people will be familiar with and like the Children's Piano Collection-Andai through this article, so as to promote the development of Inner Mongolia folk music and carry forward the Inner Mongolia music culture.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J624.1

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本文編號：2061448