本文選題：《周禮》 + 樂(lè)官��； 參考：《河南大學(xué)》2005年碩士論文

【摘要】：《周禮》所載的 22 職樂(lè)官是中國(guó)古代音樂(lè)史上的一個(gè)重大疑難問(wèn)題。長(zhǎng)期以來(lái)雖受到眾多學(xué)者關(guān)注,但仍存在相當(dāng)多的疑點(diǎn)未能得到徹底解決。本文從對(duì)先秦時(shí)期的大文化背景分析入手,肯定了部分學(xué)者的觀點(diǎn):《周禮》是戰(zhàn)國(guó)末年的儒學(xué)政治家在參照了西周職官制度的基礎(chǔ)上,加入主觀構(gòu)擬成分的制國(guó)藍(lán)圖。雖然它不是西周職官情況的真實(shí)記錄,但仍為我們保存了許多寶貴的西周職官制度史料。 筆者認(rèn)為,《周禮》中的樂(lè)官雖不能完全反映西周王朝音樂(lè)機(jī)構(gòu)的真實(shí)情況,但也是西周王朝音樂(lè)機(jī)構(gòu)的部分遺存,對(duì)我們研究西周乃至先秦時(shí)期音樂(lè)發(fā)展形態(tài)有至關(guān)重要的意義。 全文的正文共分五個(gè)部分: 第一部分:“引言”。指明選題意義,羅列研究概況與資料查閱情況,指出文中需要解決的主要問(wèn)題。 第二部分:“西周禮樂(lè)機(jī)構(gòu)的名稱(chēng)與編制”。指出了音樂(lè)學(xué)界關(guān)于《周禮》的幾點(diǎn)不恰當(dāng)觀點(diǎn),并結(jié)合多種資料分析原由。 第三部分:“樂(lè)官辨析”。將《春官宗伯》與《地官司徒》部分的 22 職樂(lè)官作詳盡剖析,盡可能的搜集出關(guān)于 22 職樂(lè)官的各類(lèi)資料,并在此基礎(chǔ)上推測(cè)出 22職樂(lè)官在西周社會(huì)(乃至戰(zhàn)國(guó))的客觀存在性。 第四部分:“樂(lè)官職能”。在深入剖析 22 職樂(lè)官的基礎(chǔ)上,找出樂(lè)官們交叉點(diǎn)較多的幾類(lèi)主要職能,并分類(lèi)作具體分析。
[Abstract]:The 22-rank music officials contained in Zhou Li is a major problem in the history of ancient Chinese music. Many scholars have paid close attention to it for a long time, but there are still quite a lot of doubts that can not be solved thoroughly. Based on the analysis of the cultural background of the pre-Qin period, this paper confirms the views of some scholars: "Zhou Li" is a blueprint for the establishment of a country based on the reference to the official system of the Western Zhou Dynasty by the Confucian statesmen in the late warring States period. Although it is not a true record of the official situation in the Western Zhou Dynasty, it still keeps many valuable historical data of the official system of the Western Zhou Dynasty. The author believes that although the music officials in Zhou Li can not fully reflect the true situation of the music organizations of the Western Zhou Dynasty, they are also part of the remains of the music organizations of the Western Zhou Dynasty. It is of great significance for us to study the development of music in the Western Zhou and even the pre-Qin period. The text is divided into five parts: the first part: introduction. It points out the significance of the selected topic, lists the general situation of the research and the reference of the data, and points out the main problems to be solved in the paper. The second part: the name and compilation of the ceremony and music organization in the Western Zhou Dynasty. This paper points out some improper points of view about Zhou Li in music circles, and analyzes the reasons combined with many kinds of data. The third part: the differentiation of Yue Guan. Make a detailed analysis of the "Chunguan Zongbo" and the part of the "Land official" section, and collect as many kinds of information as possible about the 22-rank music officials. On this basis, the objective existence of 22 music officials in the Western Zhou Dynasty (and even the warring States period) was inferred. The fourth part: the function of music officials. On the basis of deeply analyzing 22-post music officers, this paper finds out several kinds of main functions which are more intersected by music officials, and classifies them to make concrete analysis.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類(lèi)號(hào)】：J609.2

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 康瑞軍;;歷代音樂(lè)機(jī)構(gòu)與樂(lè)官制度研究現(xiàn)狀述評(píng)[J];中國(guó)音樂(lè)學(xué);2007年03期

相關(guān)碩士學(xué)位論文 前1條

1 劉丹;看看他們的世界[D];中國(guó)藝術(shù)研究院;2008年

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本文編號(hào)：2055220