本文選題：J.S.巴赫 + 鋼琴音樂　； 參考：《福建師范大學(xué)》2006年碩士論文

【摘要】：J．S．巴赫在鋼琴音樂發(fā)展史中，樹立了一座豐碑，他不僅推動(dòng)了古鋼琴藝術(shù)向現(xiàn)代鋼琴藝術(shù)的發(fā)展，而且將古鋼琴曲的形式基礎(chǔ)和表現(xiàn)手法在鋼琴復(fù)調(diào)領(lǐng)域內(nèi)發(fā)展到高度完美的地步。 J．S．巴赫的《半音階幻想曲與賦格》古鋼琴作品的幻想性風(fēng)格特點(diǎn)及其幻想性風(fēng)格的后世影響是本論文研究的重點(diǎn)。J．S．巴赫的《半音階幻想曲與賦格》(BWV903)曲是使用單一的樂器表現(xiàn)出多姿多彩幻想畫面的成功之作。本論文吸收了國內(nèi)外對(duì)巴赫及其作品研究的成果，以J．S．巴赫《半音階幻想曲與賦格》為例詳細(xì)研究分析J．S．巴赫此作的幻想性風(fēng)格及其對(duì)其后世作曲家莫扎特、肖邦等人的幻想曲類體裁作品創(chuàng)作的影響。 對(duì)于J．S．巴赫及其作品的研究一直主要集中研究他的復(fù)調(diào)音樂技法等，對(duì)其幻想曲以及幻想性的研究幾乎無人涉及。J．S．巴赫幻想性作品之一《半音階幻想曲與賦格》所具有幻想性風(fēng)格，是巴洛克時(shí)期即已存在的幻想曲創(chuàng)作的新發(fā)展、新突破，它打破了舊的程式，跨越了時(shí)代。運(yùn)用了大量豐富的先進(jìn)和聲進(jìn)行，強(qiáng)調(diào)了主音音樂；具有各式各樣的技巧性的陳述手法。 本文擬通過將此作與同時(shí)期(巴洛克音樂文化時(shí)期)同類作品的創(chuàng)作相比較，以及與古典時(shí)期的莫扎特、浪漫時(shí)期的肖邦的幻想曲分析比較等，說明J．S．巴赫的d小調(diào)《半音階幻想曲與賦格》的幻想性及其歷史影響等。
[Abstract]:J. Sbach, in the history of piano music development, set up a monument, he not only promoted the development of ancient piano art to modern piano art, Moreover, the formal basis and expressive techniques of the ancient piano music have been developed to a high degree of perfection in the field of piano polyphony. J.S.Bach 's < semitone scale Fantasy style characteristics of Fantasia and Fugue > Ancient Piano works and their influence on later generations are the focus of this thesis. J.S.Bach 's "Half-scale Fantasia and Fugue" BWV903) is to use a single musical instrument to express itself. The success of a colorful fantasy picture. This thesis absorbs the research achievements of Bach and his works at home and abroad. Taking J. S. Bach's Fantasia and Fugue as an example, this paper studies and analyzes the fantasy style of J. Sbach's work and its influence on Mozart, the composer of J. S. Bach. The influence of Chopin's Fantasia genre. For J. Sbach and his works, the research has been mainly focused on his polyphonic music techniques and so on. Almost no one has studied his fancies and fantasies. One of J.S.Bach 's fantasy works, Fantasia and fugue, has a fantasy style, which is a new development and breakthrough of the fancies that already existed in Baroque period. It breaks the old program and spans the times. Used a large number of advanced harmony, stressed the tonic music; with a variety of technical presentation techniques. This paper compares this work with the creation of similar works of the same period (Baroque music culture period), as well as with Mozart in classical period and Chopin's fantasy in romantic period, and so on. It explains the fantasy and historical influence of J. Sbach's Fantasia and Fugue in d minor.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J614

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 栗琿;舒伯特至李斯特鋼琴獨(dú)奏幻想曲研究[D];上海音樂學(xué)院;2011年

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本文編號(hào)：2047519