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口語(yǔ)文化傳播中之源流辨析例說(shuō)——析【幺二三】證【打“溜子”】屬“域樂(lè)”而非“族樂(lè)”

發(fā)布時(shí)間:2018-06-13 07:01

  本文選題:【打“溜子”】 + 【幺二三】; 參考:《音樂(lè)創(chuàng)作》2011年04期


【摘要】:在多民族的小聚居、大雜居區(qū)域,其口語(yǔ)音樂(lè)文化呈原生的"族樂(lè)"與跨民族次生的"域樂(lè)",前者如原生的土家族吹管樂(lè)"咚咚虧",后者如湘鄂(西)黔渝(東)邊的次生的[幺、二、三]。聞名遐邇的【打"溜子"】,屬"域樂(lè)"【幺二三】所派生,并非原生的土家族的"族樂(lè)",是湘鄂(西)黔渝(東)邊"域樂(lè)"的一支。
[Abstract]:In small, multiracial, mixed areas, Its oral music culture is original "national music" and cross-national secondary "domain music", the former is like the original Tujia wind music "thumping loss", the latter is like the second generation [1, 2, 3] on the edge of Hunan, Hubei (west), Guizhou and Chongqing (east). The famous "playing" is derived from "domain music" [123] and is not a native Tujia "ethnic music", but a branch of "local music" on the edge of Hunan, Hubei (west), Guizhou and Chongqing (east).
【作者單位】: 中山職業(yè)技術(shù)學(xué)院;
【分類號(hào)】:J609.2


本文編號(hào):2013152

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