本文選題：音樂自然觀 + 先秦　； 參考：《山西大學》2006年碩士論文

【摘要】：音樂自然觀是建立在人對自然最初的認識之上的音樂觀，它集中體現(xiàn)了人類對音樂和自然的關系的基本認識。我國音樂自然觀念早在遠古時代就已萌芽，在先秦時期表現(xiàn)得最為突出，曾一度成為當時社會的占統(tǒng)治地位的音樂觀念。因此，，筆者從先秦時期遺留下來的主要文獻著手，對集中反映古人音樂自然觀念的歷史史料做了系統(tǒng)地分析和綜合，并在此基礎上針對先秦時期音樂自然觀的若干問題做了嘗試性的探討和梳理。 本文集中分析和綜合的史料主要來自《尚書》、《竹書記年》、《周禮》、《老子》、《左傳》、《國語》、《論語》、《禮記》、《孟子》、《呂氏春秋》、《荀子》、《莊子》和《韓非子》等文獻。具體地，《尚書》、《竹書紀年》和《呂氏春秋》上的部分資料，主要反映了我國遠古時期和夏商時期中國先民有關音樂自然觀的最樸素的認識�！吨芏Y》、《老子》、《左傳》、《國語》和《禮記》等則更多地反映出了西周時期以及西周向春秋過渡時期音樂自然觀的發(fā)展情況。而《論語》、《孟子》、《荀子》、《莊子》和《韓非子》等資料中則集中反映了春秋戰(zhàn)國時期音樂自然觀在新的歷史條件下的分化情況。但是，需要注意的是，由于這些文獻自身的性質和編寫者方面的因素的影響，從中擷取而來的確認為音樂自然觀史料的在文字比例上很不均衡，并且它們所反映的音樂自然觀發(fā)展狀況在時間分布上也很不均衡。 在對先秦時期文獻中音樂自然觀史料分析的基礎上，首先，筆者嘗試性地探討了先秦時期音樂自然觀產生的可能的客觀條件，指出原始先民的聽覺審美意識的產生以及對自然音響的分辨能力和建立在此基礎上的音樂的起源及其具體實踐是音樂自然觀念形成的兩個客觀條件。其次，為了研究上的方便，筆者對先秦音樂自然觀的發(fā)展分期問題提出了自己的看法，認為它大致可以分為三個時期：1、音樂自然觀的萌芽和初步形成期——夏代建立以前的遠古時期；2、音樂自然觀的確立期——三代時期；3、音樂自然觀的分化期——春秋戰(zhàn)國時期。再次，筆者依文獻資料為依托，針對先秦時期音樂自然觀的主要學術流派問題做了相關探討和
[Abstract]:The concept of music nature is a concept of music based on man's first understanding of nature. It embodies the basic understanding of the relationship between music and nature. The natural concept of music in China has sprout early in the ancient times and has been the most prominent in the pre Qin period, and once became the dominant musical concept of the society at that time. From the main documents left over from the pre Qin period, the author makes a systematic analysis and synthesis of historical historical materials which reflect the natural conception of the ancient music, and on this basis, the author has made an attempt to discuss and comb some problems of the natural view of the music in the pre Qin period.
This article concentrates on the analysis and synthesis of the historical materials mainly from the "Shang shu >" bamboo Secretary "," Zhou Li > "," Lao Zi > "," Zuo Zhuan > "," Analects > "," Li Ji > "," Mencius > "," Lu Shi spring and Autumn > "," Xunzi > "and" Han Fei Zi > "and other documents. The most naive understanding of the Chinese ancestors in the Shang Dynasty on the natural view of music. "Zhou Li >" Lao Zi > "Zuo Zhuan >" "Guoyu >" and "the book of Rites" reflect the development of the natural view of music in the period of the Western Zhou Dynasty and the transition period of the Western Zhou Dynasty to the spring and Autumn period. In the period of the Warring States period, the natural view of music was divided under the new historical conditions. However, it should be noted that, due to the nature of the literature and the influence of the writer, the historical data of the natural view of music were unevenly proportional to the historical data of the music, and the development of the natural view of music reflected by them. The situation is also very uneven in time distribution.
On the basis of the analysis of the historical data of the natural view of music in the literature of the pre Qin period, first of all, the author tries to explore the possible objective conditions for the emergence of the natural view of music in the pre Qin period, and points out the emergence of the auditory aesthetic consciousness of the original ancestors, the ability to distinguish the natural sound and the origin and concrete of the music on the basis of the establishment of the music. Practice is the two objective conditions for the formation of the natural concept of music. Secondly, in order to study the convenience of the study, the author puts forward his own views on the development stages of the concept of natural music in the pre Qin period. It is thought that it can be divided into three periods: 1, the germination and initial formation period of the natural view of music - the ancient period of the Xia Dynasty, before the establishment of the ancient period; 2, music The period of establishment of the view of nature - the period of the three generation; 3, the period of differentiation of the natural view of music - the period of the spring and autumn and the Warring States period. Again, the author, based on the literature, discussed and discussed the main academic schools of the natural view of music in the pre Qin period.
【學位授予單位】：山西大學
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J609.2

【引證文獻】

相關期刊論文 前1條

1 劉宇統(tǒng);;《尚書》和《竹書紀年》中的音樂自然觀解析[J];興義民族師范學院學報;2010年02期

相關碩士學位論文 前2條

1 謝藝;從晉南地區(qū)出土的先秦樂器看晉音樂文化之特征[D];山西大學;2010年

2 吳巧靈;《呂氏春秋·古樂篇》中的樂舞史料研究[D];上海師范大學;2012年

本文編號：1997062