本文選題：唱片 + 音樂��； 參考：《福建師范大學(xué)》2005年碩士論文

【摘要】： 十九世紀(jì)末,留聲機(jī)與唱片傳入中國,并在二十世紀(jì)上半葉形成了唱片產(chǎn)業(yè)。唱片產(chǎn)業(yè)的形成與發(fā)展為中國近現(xiàn)代音樂的發(fā)展注入了新機(jī),同時(shí)成為中國近現(xiàn)代音樂史不可或缺的組成部分。 本文在已有的研究成果基礎(chǔ)上,對(duì)相關(guān)資料做了進(jìn)一步的收集與整理,并結(jié)合傳播學(xué)、社會(huì)學(xué)、經(jīng)濟(jì)學(xué)等其他人文學(xué)科,運(yùn)用音樂史學(xué)的研究方法,追溯二十世紀(jì)上半葉中國唱片的歷史,進(jìn)一步挖掘中國近現(xiàn)代音樂史的內(nèi)容,尋探唱片業(yè)如何反映音樂文化發(fā)展、如何影響音樂文化發(fā)展的規(guī)律,以期豐富中國近現(xiàn)代音樂史研究的史料與內(nèi)容。 全文從唱片業(yè)的歷史蹤跡、唱片的內(nèi)容、唱片的生產(chǎn)與市場(chǎng)運(yùn)作、唱片的影響等幾個(gè)角度,分別論述了二十世紀(jì)上半葉中國唱片的以下幾方面內(nèi)容:唱片產(chǎn)業(yè)在各階段的發(fā)展?fàn)顩r;各類唱片的主要內(nèi)容、唱片對(duì)各時(shí)期音樂發(fā)展的體現(xiàn)、著名藝人的灌音活動(dòng);唱片的灌錄、制作、銷售、消費(fèi)的基本情況;唱片對(duì)音樂文化及大眾文化生活、政治、經(jīng)濟(jì)、教育等社會(huì)諸方面的影響。
[Abstract]:In the late 19th century, phonograph and records were introduced into China, and in the first half of the twentieth century, the record industry was formed. The formation and development of the record industry has injected a new machine into the development of modern Chinese music, and has become an indispensable part of the history of Chinese modern music. Further collection and collation of relevant materials were made, and combined with other humanities subjects, such as communication, sociology, economics, etc., the history of Chinese records in the first half of the twentieth century was traced back to the first half of the 20th century by using the research methods of music history. To further explore the contents of Chinese modern music history, to find out how the music industry reflects the development of music culture and how to influence the law of the development of music culture. In order to enrich the historical materials and contents of the research on the history of Chinese modern music. From the historical trace of the record industry, the content of the record, the production and market operation of the record, the influence of the record, etc. This paper discusses the following aspects of Chinese records in the first half of the 20th century: the development of the record industry in each stage, the main contents of various kinds of records, the embodiment of the music development of various periods, the sound filling activities of famous artists, and the development of music in different periods. The basic situation of recording, making, selling and consuming records, and the influence of records on music culture, social life, politics, economy, education and so on.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：J692

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 何曉兵;;論留聲機(jī)與唱片媒體的發(fā)展及其對(duì)音樂生態(tài)的影響——近現(xiàn)代媒體環(huán)境中的音樂生態(tài)研究(之二)[J];中國音樂;2011年02期

相關(guān)碩士學(xué)位論文 前1條

1 趙元;金妮：老百樂門唯一健在的歌手[D];上海音樂學(xué)院;2010年

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本文編號(hào)：1995802