本文選題：普賽爾 + 英國歌劇　； 參考：《武漢音樂學(xué)院》2006年碩士論文

【摘要】： 亨利·普賽爾(1659～1695)是英國巴洛克時(shí)期最偉大的作曲家,也是優(yōu)秀的管風(fēng)琴家和歌唱家。其作品體裁廣泛,數(shù)量眾多,尤以戲劇性體裁最為突出。在他所有的戲劇音樂作品中,《狄多與埃涅阿斯》(Dido and Aeneas)是他唯一一部真正的歌劇,至今仍盛演不衰。但就國內(nèi)外對普賽爾歌劇《狄多與埃涅阿斯》的研究現(xiàn)狀來看,有關(guān)專題性的研究卻相當(dāng)匱乏。因此,筆者便以它作為學(xué)位論文的研究對象,運(yùn)用音樂分析學(xué)、戲劇學(xué)、音樂史學(xué)等相關(guān)方法展開研究工作。把普賽爾歌劇《狄多與埃涅阿斯》與同時(shí)期的意大利、法國歌劇進(jìn)行比較,從狄多詠嘆調(diào)的悲劇性情感、重唱與合唱的戲劇性功能、器樂音樂的表現(xiàn)意義以及對頑固低音的處理這幾方面分析出普賽爾歌劇中帶有意大利和法國歌劇的因素。同時(shí),在了解早期英國音樂傳統(tǒng)的基礎(chǔ)上,從調(diào)性布局、和諧的整體結(jié)構(gòu)、音樂中的朗誦風(fēng)格等方面進(jìn)行分析研究,深入挖掘《狄多與埃涅阿斯》中的英國音樂因素,從而客觀地論述其歌劇音樂的風(fēng)格特征。此外,本文還在普賽爾的主要人生經(jīng)歷、普賽爾的音樂創(chuàng)作及《狄多與埃涅阿斯》的創(chuàng)作背景和劇情等方面做了必要、詳細(xì)的梳理性研究工作,并對普賽爾及《狄多與埃涅阿斯》作出了綜合性的總體評價(jià)。
[Abstract]:Henry Pusselton 1659 1695) is the greatest composer of Baroque time in England, as well as an excellent organ and singer. His works have a wide range of genres and a large number, especially the dramatic genre. Of all his dramatic musical works, Dido and Aeneasis is his only real opera, and is still in great shape. However, the research on Pussel's opera Didier and Aeneas at home and abroad is rather scarce. Therefore, the author takes it as the research object of the thesis, and carries out the research with the methods of music analysis, drama, music history and so on. Comparing Pussel's opera Didier and Aeneas with the Italian and French operas of the same period, from the tragic feelings of Didier's aria, the dramatic function of duet and chorus, The meaning of instrumental music and the treatment of obstinate bass are analyzed. The factors of Italian and French operas in Purcell opera are analyzed. At the same time, on the basis of the understanding of the early English music tradition, from the aspects of tone layout, harmonious overall structure, recitation style in music and so on, the author analyzes and studies the factors of British music in Dido and Aeneas. Thus objectively discusses its opera music style characteristic. In addition, this paper has done the necessary and detailed combing work in the aspects of Pussel's main life experience, Pussel's music creation and the background and plot of the creation of Dido and Aeneas. A comprehensive overall evaluation of Purcell and Dido and Aeneas is made.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J609.5

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王永鍇;;從《亞瑟王》看“半歌劇”的審美特色[J];天津音樂學(xué)院學(xué)報(bào);2013年03期

相關(guān)碩士學(xué)位論文 前1條

1 葉楓;一首不可忽視的奏鳴絕筆[D];武漢音樂學(xué)院;2012年

，

本文編號：1959366