本文選題：馬山民歌 + 民歌隊(duì)��； 參考：《華中師范大學(xué)》2013年碩士論文

【摘要】：馬山民歌這一古老的藝術(shù)品種與楚文化有著諸多的淵源關(guān)系,是江漢平原民歌藝術(shù)的重要代表,蘊(yùn)含著其獨(dú)特的藝術(shù)與文化魅力。2006年馬山民歌正式被評(píng)為我國(guó)第二批非物質(zhì)文化遺產(chǎn),其藝術(shù)文化價(jià)值得到了國(guó)家的認(rèn)可。再好的藝術(shù)精品亦需要有傳播它的主體才能使其得以延續(xù)。本文的獨(dú)特之處在于選取馬山民歌在當(dāng)下的傳承主體—“馬山民歌隊(duì)”為研究對(duì)象,以“活法”一詞為題眼來(lái)解讀其歌隊(duì)的精神文化生活。運(yùn)用民族音樂學(xué)的理論與方法,通過詳實(shí)的田野調(diào)查來(lái)呈現(xiàn)民間業(yè)余藝術(shù)團(tuán)體的生存狀態(tài)。結(jié)合其隊(duì)員的社會(huì)身份,在全球化、工業(yè)化、城市化、老齡化的社會(huì)大背景中,通過對(duì)“民歌隊(duì)”的田野調(diào)查,來(lái)解讀農(nóng)村生活方式的文化意義,反思鄉(xiāng)村文明的價(jià)值,回答中國(guó)農(nóng)民究竟應(yīng)該如何生活?這一社會(huì)現(xiàn)實(shí)問題。讓音樂也成為調(diào)查、分析、解決社會(huì)問題的實(shí)證材料之一,參與到社會(huì)問題的討論中來(lái)。 全文共分緒論、本論三章及結(jié)語(yǔ)。緒論部分對(duì)本文研究意義、研究現(xiàn)狀、研究方法等方面進(jìn)行論述。本論部分主要包括三個(gè)方面：一、審視鄉(xiāng)村文明的動(dòng)蕩與離散—湖北馬山民歌隊(duì)理論研究背景；二、觀察鄉(xiāng)村文明的遺存與堅(jiān)守—湖北馬山民歌隊(duì)現(xiàn)狀調(diào)查研究；三、追尋鄉(xiāng)村文明的理想與希望—馬山民歌隊(duì)文化解讀。結(jié)論部分是對(duì)前面各章節(jié)和全文中心思想的概括與總結(jié)。
[Abstract]:Mashan folk song, an ancient art species, has many origins with Chu culture, and it is an important representative of folk song art in Jianghan Plain. With its unique artistic and cultural charm, Mashan Folk Song was officially named as the second batch of intangible cultural heritage in China in 2006, and its artistic and cultural value has been recognized by the state. No matter how good the fine art is, it needs the main body to spread it in order to make it continue. The unique point of this paper is to select the Mashan Folk Song team as the research object and interpret the spiritual and cultural life of Mashan Folk Song team with the word "living method" as its subject. By using the theory and method of ethnomusicology, this paper presents the existence of folk amateur art groups through detailed field investigation. In the context of globalization, industrialization, urbanization and aging society, through the field survey of "folk song team", this paper interprets the cultural significance of rural life style and reflects on the value of rural civilization, combining the social identity of its members, and in the background of globalization, industrialization, urbanization and aging. How should Chinese peasants live? This social reality problem. Let music also become one of the empirical materials to investigate, analyze, solve social problems, participate in the discussion of social problems. This paper is divided into three chapters: introduction, three chapters and conclusion. The introduction part discusses the significance of this paper, research status, research methods and other aspects. This part mainly includes three aspects: first, examine the turbulence and dispersion of rural civilization-Hubei Ma Shan Folk Song team theoretical research background; second, observe the remains of rural civilization and stick to the present situation of Hubei Mashan Folk Song team investigation and research; third, Pursuing the ideal and Hope of Rural Civilization-interpretation of Mashan Folk Song team Culture. The conclusion part is the summary and summary of the previous chapters and the main idea of the full text.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J607

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本文編號(hào)：1952934