本文選題：巴爾虎民歌 + 烏爾汀哆��； 參考：《中央民族大學(xué)》2006年碩士論文

【摘要】：《遼闊的草原》、《褐色的雄鷹》、《秀麗的海騮馬》、《烏和爾圖灰騰》等巴爾虎烏爾汀哆，以其悠長的旋律、豐富的諾古拉，給人們留下了深刻的印象。這些廣為流傳的巴爾虎民歌在內(nèi)蒙古呼倫貝爾市陳巴爾虎旗和新巴爾虎旗兩地的演唱風(fēng)格卻存在著細(xì)微的差別。但是，在呼倫貝爾巴爾虎民歌研究領(lǐng)域中，這些細(xì)節(jié)問題卻往往容易被忽略。本文以新巴爾虎民歌與陳巴爾虎民歌區(qū)域特點(diǎn)為切入點(diǎn)，深入分析形成這兩個區(qū)域音樂不同特點(diǎn)的原因，旨在引起人們對陳巴爾虎民歌的更多關(guān)注，使人們對呼倫貝爾巴爾虎民歌有一個更深、更全面的認(rèn)識。進(jìn)而為人們充分認(rèn)識呼倫貝爾民歌以及呼倫貝爾民間音樂提供更為翔實(shí)的依據(jù)。 論文由序言，巴爾虎蒙古族歷史文化概況，巴爾虎民歌音樂形態(tài)及區(qū)域特點(diǎn)，以及巴爾虎民歌的傳承與發(fā)展等四個部分組成。 序言部分，主要陳述了筆者選題的學(xué)術(shù)價值、現(xiàn)實(shí)意義和寫作宗旨，對巴爾虎民歌的研究狀況作了綜合論述，詳細(xì)列出了筆者查閱到的巴爾虎民歌相關(guān)文字資料和在田野工作中搜集的第一手資料及其來源，并簡要敘述了筆者在研究巴爾虎民歌區(qū)域特點(diǎn)時所運(yùn)用的民族音樂學(xué)方法。 第一章“巴爾虎蒙古族歷史文化概況”，包括巴爾虎人的由來及其遷徙歷程，內(nèi)蒙古呼倫貝爾地區(qū)巴爾虎人的分布及區(qū)域特點(diǎn)等兩節(jié)內(nèi)容，，為分析和研究巴爾虎民歌區(qū)域特點(diǎn)起到了鋪墊作用。 第二章“巴爾虎民歌音樂形態(tài)及區(qū)域特點(diǎn)”是文章的核心部分。在此，通過對大量的譜例和田野調(diào)查資料進(jìn)行分析，歸納總結(jié)出巴爾虎民歌體裁，節(jié)奏節(jié)拍，調(diào)式音階，曲體結(jié)構(gòu)，旋律發(fā)展方法等方面的基本特點(diǎn)和區(qū)域特點(diǎn)。 第三章“巴爾虎民歌的傳承與發(fā)展”，對巴爾虎民歌的傳承方式、
[Abstract]:Vast prairie, Brown Eagle, Beautiful Haliu Horse, Uhultu, etc., with its long melody, rich Norgula, left a deep impression on people. These popular Baer Hu folk songs in Hulunbeir City, Inner Mongolia, Chen Barhu Banner and the New Barhu Banner have subtle differences in singing style. However, in the field of Hulunbeir Tiger Folk songs, these details are often ignored. Based on the regional characteristics of New Barr Tiger Folk Song and Chen Balhu Folk Song, this paper analyzes the reasons for the different characteristics of these two regional music in order to arouse more attention to Chen Balhu Folk Song. So that people have a deeper and more comprehensive understanding of the Hulunbeir Tiger Folk Song. It provides a more accurate basis for people to fully understand Hulunbeir folk songs and Hulunbeir folk music. The paper consists of four parts: preface, history and culture of Baal Tiger Mongolian nationality, music form and regional characteristics of Baal Tiger folk song, and the inheritance and development of Baal tiger folk song. In the preface, the author mainly states the academic value, practical significance and writing purpose of the selected topic, and makes a comprehensive discussion on the research situation of Baer Hu folk song. This paper lists in detail the relevant written materials of Baer Hu folk songs collected in the field work and their sources, and briefly describes the ethomusicological methods used by the author in studying the regional characteristics of the Baer tiger folk songs. The first chapter is "the History and Culture of Barhu Mongols", including the origin and migration of Barhu people, the distribution and regional characteristics of Balhu people in Hulunbeir region of Inner Mongolia, etc. In order to analyze and study the regional characteristics of Baer tiger folk songs played a role in paving the way. The second chapter is the core of the article: the music form and regional characteristics of Baer Tiger Folk Song. Based on the analysis of a large number of spectral examples and field survey data, this paper summarizes the basic and regional characteristics of Baer Tiger folk songs in terms of genre, rhythm, tone scale, body structure, melody development method, and so on. Chapter three, "the inheritance and Development of Baer Tiger Folk songs", the way to pass on the Baer Tiger Folk songs,
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J607

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1 紅梅;從區(qū)域文化特點(diǎn)看呼倫貝爾巴爾虎民歌[D];中央民族大學(xué);2006年

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