發(fā)布時間：2018-05-26 19:17

  本文選題：伊薩依 + 無伴奏奏鳴曲　； 參考：《武漢音樂學院》2006年碩士論文

【摘要】： 在歐洲近現(xiàn)代小提琴藝術(shù)發(fā)展史中,歐仁·伊薩依(Eugene Ysaye,1858-1931)占據(jù)著特殊的地位。這位杰出的演奏家和作曲家創(chuàng)作了30多首樂曲,創(chuàng)作中最具價值的是《六首無伴奏小提琴奏鳴曲》op.27,它的巨大價值在于發(fā)展和創(chuàng)新了小提琴音樂。在他的六首無伴奏奏鳴曲中,《第三小提琴無伴奏奏鳴曲》是代表作之一。成為世界小提琴舞臺上經(jīng)常上演的曲目,尤其是當今國際小提琴各類比賽的指定曲目。 然而,在我國現(xiàn)有的文獻資料中,除了伊薩依的生平介紹以外,對伊薩依的演奏風格和作品的研究還相當缺乏。因此,全面、系統(tǒng)分析、研究介紹這部作品的創(chuàng)作特色及演奏要點,對于了解伊薩依在該作品中顯露出地精湛的創(chuàng)作技術(shù),以及對小提琴表現(xiàn)手法的開拓都顯得十分重要。
[Abstract]:In the history of modern violin art in Europe, Eugene Ysayeau (1858-1931) occupies a special position. The outstanding performer and composer wrote more than 30 pieces of music, the most valuable of which is "six Violin Sonata without accompaniment" op.27. Its great value lies in the development and innovation of violin music. Among his six accompaniment sonatas, the third Violin Sonata is one of his masterpieces. Become the world's violin stage often performed the track, especially in today's international violin competition assigned to the repertoire. However, in the literature of our country, apart from the introduction of Isai's life, the study of Isai's performance style and works is quite lacking. Therefore, it is very important to study and introduce the creative features and the main points of the performance of this work in a comprehensive and systematic way. It is very important for us to understand Isai's exquisite creative techniques in this work, as well as to develop the techniques of violin performance.
【學位授予單位】：武漢音樂學院
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J622.1

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相關碩士學位論文 前3條

1 周地平;伊薩依《阿拉曼德舞曲》演奏藝術(shù)研究[D];南京藝術(shù)學院;2008年

2 馮佳;伊薩依與他的《第三小提琴無伴奏奏鳴曲》演奏研究[D];武漢音樂學院;2006年

3 萬朝紅;里蓋蒂的《大提琴無伴奏奏鳴曲》及其演奏要點[D];武漢音樂學院;2006年

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本文編號：1938584