本文選題：孔府喇叭戶 + 底邊階級��； 參考：《山東大學(xué)》2006年碩士論文

【摘要】：樂人，特別是處于賤籍的樂戶，以音樂的創(chuàng)作、演奏、演唱作為謀生的主要手段，，以換取生活上其他方面的需求，在中國封建社會的歷史上是一個獨(dú)特的、生活在社會底層的社會群體。他們是中國封建社會禮樂制度的主要參與和實(shí)施者；是中國歷史上多種音樂形態(tài)的主要創(chuàng)造者和傳承者；在民間風(fēng)俗和草根社會的各種儀式中，他們是主體。然而，值得我們注意的是，當(dāng)前學(xué)界對樂人及其文化的關(guān)注和研究是遠(yuǎn)遠(yuǎn)不夠的，僅有的研究成果大部分集中在從音樂文化的角度對山西樂戶進(jìn)行群體研究上，從民俗的角度關(guān)注和研討這一重要社會群體的個案仍覺匱乏。 基于上述不足，本文選擇了曲阜孔府喇叭戶作為研究對象，從對孔府喇叭戶后人的實(shí)地考察入手，從文獻(xiàn)學(xué)、社會學(xué)、民俗學(xué)的角度，對這一群體的設(shè)置和職責(zé)、社會地位和經(jīng)濟(jì)地位、家庭教育和技藝傳承、歷史變遷及喇叭戶的當(dāng)代執(zhí)業(yè)，進(jìn)行了全方位的探討，力圖為當(dāng)前的樂人樂戶研究提供一個典型的個案。 從方法上看，歷史文獻(xiàn)分析法和田野作業(yè)法是本文的主要研究方法。文獻(xiàn)法和田野作業(yè)相結(jié)合無疑是民俗學(xué)研究中重要的也是行之有效的方法，由于本文所要研究的孔府喇叭戶，不但具有悠久的發(fā)展歷史，并且至今仍在生活中傳承延續(xù)，因此本文的調(diào)查研究將兼具歷史和現(xiàn)實(shí)兩個層面，以田野調(diào)查為基礎(chǔ)，結(jié)合文獻(xiàn)資料，力爭呈現(xiàn)給大家一個充實(shí)完備的研究成果。
[Abstract]:Music people, especially those who are in the base of base, use music to create, play and sing as the main means of making a living, in exchange for the needs of other aspects of life. In the history of the feudal society of China, it is a unique and social group living at the bottom of the society. They are the main participants and implementers of the feudal system of rite and music in the Chinese feudal society; The main creators and inheritors of various musical forms in Chinese history are the main body of the folk custom and the various ceremonies of the grassroots society. However, it is worth noting that the current academic concern and study of the music people and their culture is far from enough. The only research results are mainly focused on the angle of music culture. From the perspective of folklore, the case of Shanxi's Lok Hu group is still scarce.
Based on the above shortcomings, this article chooses the Confucius House speaker in Qufu as the research object, starting with the field investigation of the speaker of the horn of Confucius, from the perspective of philology, sociology and folklore, the setting and responsibility of the group, the social status and economic status, the inheritance of family education and skills, the historical change and the contemporary practice of the speaker. A comprehensive discussion is made to provide a typical case for the current study of Yue Ren Yue family.
In terms of methods, historical literature analysis and fieldwork are the main research methods of this article. The combination of literature and field work is undoubtedly an important and effective method in the study of folklore. Because the Confucius house speakers in this paper have a long history of development, they are still inheriting and continuing in life. Therefore, the investigation and research of this paper will have two aspects of history and reality, based on fieldwork and literature, and strive to present a full and complete research result.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J609.2;K892.4

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 董旭彤;隋唐至明代禮樂觀念變化辨析[D];中國藝術(shù)研究院;2013年

本文編號：1917206