本文選題：德奧 + 藝術(shù)歌曲��； 參考：《南京藝術(shù)學院》2006年碩士論文

【摘要】： 縱覽古今，德國和奧地利這兩個國家的藝術(shù)歌曲在歐洲藝術(shù)歌曲發(fā)展史上占有主體地位，它們經(jīng)歷了數(shù)百年歷史長河的洗禮和沉淀，幾代作曲家的不懈耕耘，至今被奉為經(jīng)典，活躍在世界的舞臺。本文通過德奧藝術(shù)歌曲體裁形式的演變和這兩個國家作曲家們的藝術(shù)歌曲創(chuàng)作為視角，揭示德奧藝術(shù)歌曲的大致發(fā)展過程，以期描繪出它們的發(fā)展軌跡。全文分為三個章節(jié)：第一章論述德奧藝術(shù)歌曲的淵源與產(chǎn)生，分為兩節(jié)：第一節(jié)論述德奧藝術(shù)歌曲的淵源來自從早期德國抒情歌曲到通奏低音利德的演變，第二節(jié)論述柏林樂派作曲家的貢獻促成了德奧藝術(shù)歌曲的產(chǎn)生。第二章論述德奧藝術(shù)歌曲的定型與繁榮，首先分析促成德奧藝術(shù)歌曲定型與繁榮的因素，再比較詳細的闡述給予藝術(shù)歌曲走向繁榮前所未有推動力的古典和浪漫兩大樂派作曲家對藝術(shù)歌曲的傾力貢獻。第三章指出德奧藝術(shù)歌曲的發(fā)展在晚期浪漫主義以后達到低谷，，緩慢前行，并論述19世紀末20世紀初晚期浪漫主義和表現(xiàn)主義作曲家的創(chuàng)作。
[Abstract]:From ancient to modern times, the art songs of Germany and Austria occupy the main position in the history of the development of European art songs. They have experienced the baptism and precipitation of hundreds of years of history, and the unremitting efforts of several generations of composers have been regarded as classics to this day. Active on the world stage. From the perspective of the evolution of the genre of German and Austrian art songs and the creation of artistic songs by the composers of these two countries, this paper reveals the general development process of German and Austrian art songs in order to describe their development track. The full text is divided into three chapters: the first chapter discusses the origin and production of German and Austrian art songs, which is divided into two sections: the first section discusses the evolution of German lyric songs from early German lyric songs to Leeds, The second section discusses the contribution of Berlin composer to the creation of German and Austrian art songs. The second chapter discusses the shape and prosperity of German and Austrian art songs. First of all, it analyzes the factors that contribute to the shaping and prosperity of German and Austrian art songs. Then more detailed elaboration gives the art song to the prosperity unprecedented impetus classical and the romantic two major music composers to the art song devotion contribution. The third chapter points out that the development of German and Austrian art songs reached a low point after the late Romanticism and slowly advanced, and discusses the creation of romantic and expressionist composers at the end of the 19th century and the beginning of the 20th century.
【學位授予單位】：南京藝術(shù)學院
【學位級別】：碩士
【學位授予年份】：2006
【分類號】：J609.1

【引證文獻】

相關(guān)碩士學位論文 前3條

1 李雙松;貝多芬《三首歌曲》（OP.83）研究[D];南京藝術(shù)學院;2011年

2 劉明瑜;胡戈·沃爾夫《六首女聲歌曲》的創(chuàng)作與演唱風格研究[D];西安音樂學院;2012年

3 姚瑤;再探聲樂套曲《詩人之戀》的藝術(shù)特點[D];上海師范大學;2010年

本文編號：1916716