本文選題：鄂倫春族 + 傳統(tǒng)音樂　； 參考：《中國藝術(shù)研究院》2005年碩士論文

【摘要】：本文將前人對鄂倫春族傳統(tǒng)音樂的研究成果和筆者對鄂倫春族音樂現(xiàn)狀的田野考察收獲作為論述的主要理論依據(jù)。根據(jù)黑龍江省鄂倫春族自身的歷史發(fā)展特點,筆者將其傳統(tǒng)音樂的歷史變遷概括為三個主要階段:狩獵時期、農(nóng)獵轉(zhuǎn)型時期和當(dāng)代農(nóng)業(yè)時期。筆者運用民族音樂學(xué)比較研究的方法論,對鄂倫春族傳統(tǒng)音樂的發(fā)展作歷史性與歷時性的雙重比較研究。鄂倫春族傳統(tǒng)音樂發(fā)展變化的特性中,同樣具有與各個民族、各類傳統(tǒng)音樂發(fā)展的共通之處。1953年下山定居至今,鄂倫春族的生產(chǎn)、生活方式被徹底改變,隨之而來的變化中也包括了鄂倫春族傳統(tǒng)文化的快速流失。鑒于鄂倫春族音樂生活的發(fā)展現(xiàn)狀,筆者提出對鄂倫春族傳統(tǒng)音樂保護(hù)與發(fā)展的個人觀點。
[Abstract]:The main theoretical basis of this thesis is the research achievements of the Oroqian traditional music and the author's fieldwork on the present situation of the Oroqian music. According to the historical development characteristics of Oroqian nationality in Heilongjiang Province, the author generalizes the historical changes of its traditional music into three main stages: hunting period, agricultural hunting transition period and contemporary agricultural period. The author makes a historical and diachronic comparative study on the development of the traditional music of the Oroqian nationality by using the methodology of comparative study of ethnomusicology. Among the characteristics of the development and change of traditional music of the Oroqian nationality, it is also common with the development of various nationalities and kinds of traditional music. Since they settled down the mountain in 1953, the production and way of life of the Oroqen people have been completely changed. The following changes also include the rapid loss of Oroqian traditional culture. In view of the present situation of the development of the music life of the Oroqun people, the author puts forward the personal views on the protection and development of the traditional music of the Oroqian nationality.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J607

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 曹麗艷;鄂倫春族民歌贊達(dá)仁及其演唱研究[D];首都師范大學(xué);2007年

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本文編號：1910440