本文選題：莫扎特的歌劇 + 音樂風(fēng)格　； 參考：《湖南師范大學(xué)》2005年碩士論文

【摘要】：莫扎特是18世紀(jì)維也納古典樂派的代表人物之一,對(duì)推動(dòng)世界音樂的發(fā)展起到了巨大的作用。在其短暫的歲月中,他創(chuàng)作出了600多部音樂作品,幾乎涉及了所有的音樂體裁,且佳作之多令人稱奇。在莫扎特創(chuàng)作的音樂作品中,歌劇是主要體裁形式。他的許多歌劇作品至今仍久演不衰、生命力極為旺盛,并且劇中許多詠嘆調(diào)也成為聲樂大賽和教學(xué)中的必選曲目。鑒于莫扎特在歌劇上的貢獻(xiàn),人們將他與格魯克、瓦格納和威爾第并稱為歐洲歌劇史上四大巨子。本文試圖從莫扎特生平簡(jiǎn)介切入,通過對(duì)其歌劇各個(gè)時(shí)期的特點(diǎn)、以及其歌劇的音樂風(fēng)格和詠嘆調(diào)特點(diǎn)進(jìn)行細(xì)致深入的剖析,來進(jìn)一步認(rèn)識(shí)和把握莫扎特歌劇的音樂風(fēng)格及其創(chuàng)作的貢獻(xiàn)。再者,由于莫扎特在歌劇創(chuàng)作上有許多值得我們借鑒的經(jīng)驗(yàn),鑒于我國(guó)歌劇事業(yè)的不景氣,筆者也略談了莫扎特歌劇對(duì)我國(guó)歌劇創(chuàng)作的一些思考和啟示。這樣一方面是為了更好的指導(dǎo)我們的聲樂實(shí)踐活動(dòng),另一方面也是為了繁榮我國(guó)歌劇的發(fā)展。 論文包括三個(gè)部分: 第一部分:主要論述莫扎特生平,探討其生活背景對(duì)其音樂風(fēng)格的影響;然后深入的研究其各個(gè)時(shí)期的歌劇特征和風(fēng)格。 第二部分:這部分主要是對(duì)莫扎特創(chuàng)作特征及貢獻(xiàn)進(jìn)行闡述和研究,總結(jié)其在歌劇創(chuàng)作上的經(jīng)驗(yàn)以及歌劇總體的音樂風(fēng)格。 第三部分:由莫扎特歌劇的音樂特點(diǎn)引發(fā)對(duì)我國(guó)歌劇現(xiàn)狀的思考,分析我國(guó)歌劇現(xiàn)狀的問題和解決途徑。
[Abstract]:Mozart was one of the representatives of Vienna classical music school in the 18 th century and played a great role in promoting the development of world music. In his brief years, he wrote more than 600 musical works, covering almost all musical genres, and a surprising number of excellent works. In Mozart's music, opera is the main genre. Many of his operas are still alive and alive, and many of his arias have become a must-have track in vocal contests and teaching. Mozart, along with Gruk, Wagner and Verdi, has been described as one of the four greatest European operas in terms of his contribution to opera. This paper attempts to analyze the characteristics of Mozart's operas in various periods, as well as the musical style and aria characteristics of his operas, from the brief introduction of Mozart's life. To further understand and grasp Mozart opera music style and the contribution of creation. Moreover, because Mozart has many experience that we should learn from in the opera creation, in view of the depression of the opera cause in our country, the author also discusses some thoughts and enlightenment of Mozart opera to our country opera creation. On the one hand, this is to better guide our vocal music practice, on the other hand, to prosper the development of Chinese opera. The thesis consists of three parts: The first part mainly discusses Mozart's life, discusses the influence of his life background on his musical style, and then deeply studies the opera characteristics and styles of his various periods. Part two: this part mainly expounds and studies Mozart's creative characteristics and contributions, summarizes his experience in opera creation and the overall musical style of opera. The third part: from the Mozart opera music characteristic causes to our country opera present situation ponder, the analysis our country opera present situation question and the solution way.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：J609.1

【引證文獻(xiàn)】

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本文編號(hào)：1881610