本文選題：斯美塔那 + 捷克��； 參考：《西安音樂學院》2014年碩士論文

【摘要】：貝德里赫斯美塔那是十九世紀捷克著名的作曲家，他被后人尊為“新捷克音樂之父”。作為捷克民族樂派的先行者，他將具有民族特色的音樂元素融入作品當中，使得創(chuàng)作的作品充滿了濃郁的捷克民族風格及意味。斯美塔那的這首C大調音樂會練習曲構思巧妙，通過豐富飽滿的和聲音響結合起伏多變的音樂旋律，向人們刻畫出一幅幅鮮活而生動的景象。本文希望通過對該作品的分析和研究，解讀音樂中的語匯特征與創(chuàng)作風格，揭示作品蘊含的內涵與藝術價值，，加深對斯美塔那鋼琴作品，特別是這首鋼琴音樂會練習曲的認識。 本文包括緒論，正文、結語三部分。緒論主要闡述選題緣由、國內外研究現(xiàn)狀、研究方法與途徑、意義與創(chuàng)新點。正文則分為三章，第一章簡述作曲家生平及其創(chuàng)作，論文從作曲家時代背景入手闡述作曲家作品風格及創(chuàng)作手法；第二章以斯美塔那C大調音樂會練習曲的創(chuàng)作背景為切入點，對該作品的創(chuàng)作素材、音樂表現(xiàn)形式、曲式結構、調式調性、旋律及和聲織體等音樂手法加以分析；第三章則聯(lián)系自身實際，從鋼琴演奏和教學方面進行分析，探索斯美塔那音樂風格，并研究在演奏中遇到的問題以及解決問題的方案。最后，希望通過本文的研究所得為演奏和研究這首作品的同仁們提供一些參考。
[Abstract]:Friedrich Smetana is a famous Czech composer in the 19 th century. He was honored as the father of the new Czech music. As a pioneer of the Czech national music school, he integrated the musical elements with national characteristics into his works, which made the works full of rich Czech national style and meaning. The Concert Etudes in C major by Smeitana are skillful in conception. Through rich and full harmony and sound combined with fluctuating musical melodies, Smeitana portrays a vivid and vivid scene. Through the analysis and study of the works, this paper hopes to interpret the lexical features and creative styles in music, to reveal the connotation and artistic value of the works, and to deepen the understanding of the piano works of Smeitana, especially the piano concert etudes. This article includes the introduction, the text, the conclusion three parts. The introduction mainly expounds the reason of selecting the topic, the research status at home and abroad, the research methods and approaches, the significance and the innovation. The text is divided into three chapters, the first chapter briefly describes the life of the composer and his creation, the author begins with the composer's style and creative techniques from the background of the composer's time, and the second chapter starts with the background of the music Etudes in Smeitana C major. The composition material, the music expression form, the musical structure, the mode of tone, the melody and the harmony texture of the work are analyzed in the third chapter, and the third chapter analyzes the piano performance and teaching from the aspects of piano playing and teaching. Explore the style of Smedana music, and study the problems encountered in the performance and solutions to the problems. Finally, I hope that through the study of this paper, we can provide some reference for the colleagues who play and study this work.
【學位授予單位】：西安音樂學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J624.1

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本文編號：1881151