發(fā)布時間：2018-05-12 16:21

  本文選題：力量對抗 + 部位�。� 參考：《河南大學(xué)》2005年碩士論文

【摘要】：從肌理上探討歌唱時體內(nèi)有關(guān)發(fā)聲器官、肌肉組織之間的工作原理,了解推動歌唱運(yùn)動順利進(jìn)行所需要的動力源泉和支配動力源泉的力量,即:“力量對抗”�！傲α繉埂笔悄撤N物質(zhì)另一種物質(zhì)在作用力或運(yùn)動方向上是相反的。力量對抗是讓“該緊的地方就要緊張積極地用力,該松弛的地方就要大膽地放松”。準(zhǔn)確地把握好積極地對抗與大膽地放松這個“度”,才會使歌聲達(dá)到或接近完美,也才能使歌唱中存在的有關(guān)矛盾得以解決。本文從支持歌唱運(yùn)動順利進(jìn)行的氣息、肌肉、骨骼等物質(zhì)基礎(chǔ)分析,探索力量對抗的產(chǎn)生、運(yùn)行和支持力量對抗的內(nèi)在原因。 本文共分六部分。 第一部分,對抗所依賴的物質(zhì)條件。本部分從運(yùn)動物理學(xué)和生理學(xué)角度對歌唱時身體中產(chǎn)生的力量對抗下了定義,以及對力量對抗所依賴的氣息、肌肉、骨骼等物質(zhì)條件進(jìn)行較為詳細(xì)地分析,探索它們在歌唱中的工作原理。 第二部分,對抗的主要部位。本部分從生理學(xué)和物理學(xué)角度分析身體中有些部位或主要區(qū)域有可能存在的力量對抗。 第三部分,對抗的主要走向。本部分對身體中服務(wù)于歌唱的各個物質(zhì)基礎(chǔ)在運(yùn)行中的走向作詳細(xì)地分析和論證。 第四部分,對抗的意念。本部分從歌唱的樂器建立和咬字行腔的過程出發(fā),探索力量對抗在歌唱中的運(yùn)行。以及如何操縱身體中有關(guān)的力量對抗 第五部分,影響正確對抗效果的主要因素。從主觀和客觀兩大方面著手分析影響歌唱中體內(nèi)力量對抗的各種因素。 第六部分,建立正確的對抗意識及正確訓(xùn)練力量對抗的方法措施。本部分從不同角度分析力量對抗的表現(xiàn)形式,探討協(xié)調(diào)有效的力量對抗與失調(diào)無效的力量對抗的關(guān)系,從日常生活角度出發(fā),對如何訓(xùn)練正確的力量對抗,提出相應(yīng)的方法措施。
[Abstract]:This paper probes into the working principles of vocal organs and muscle tissues in singing from the point of view of musculature, and finds out the power source needed to promote the singing movement and the power to dominate the power source, that is, "strength confrontation". Force confrontation is a matter in which another substance is opposite in force or direction of motion. Strength confrontation means that where it is tight, it is necessary to press hard, and where it is loosened, it is necessary to relax boldly. It is only by correctly grasping the positive confrontation and boldly relaxing this "degree" that the singing will reach or approach perfection, and the related contradictions in singing can be solved. Based on the analysis of the material basis of the smooth progress of the singing movement, such as breath, muscle and bone, this paper explores the internal causes of the emergence, operation and support of the force confrontation. This paper is divided into six parts. The first part is about the material conditions on which confrontation depends. In this part, the author defines the physical confrontation in singing from the point of view of sports physics and physiology, and analyzes in detail the breath, muscle, bone and other physical conditions that force antagonism depends on. Explore how they work in singing. The second part, the main part of confrontation. This section analyzes possible force confrontations in some parts or major regions of the body from physiological and physical perspectives. The third part, the main trend of confrontation. This part makes a detailed analysis and demonstration of the movement of each material basis serving for singing in the body. The fourth part, the idea of confrontation. This part explores the operation of force confrontation in singing from the establishment of musical instruments and the process of pronunciation. And how to manipulate the body of the force against the fifth part, the main factors affecting the effectiveness of the correct confrontation. From subjective and objective aspects, this paper analyzes the factors that affect the internal strength confrontation in singing. The sixth part, establish the correct antagonism consciousness and the correct training strength counterwork method measure. This part analyzes the manifestation of force confrontation from different angles, discusses the relationship between coordinated and effective force confrontation and dissonant force confrontation, and from the perspective of daily life, discusses how to train the correct force confrontation. The corresponding methods and measures are put forward.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J616

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 暢東云;武秀之教授及其“三結(jié)合”聲樂教育教學(xué)方法研究[D];河南大學(xué);2011年

2 王玉景;論聲樂演唱中的辯證關(guān)系和辯證方法[D];河南大學(xué);2009年

3 盧方超;論歌唱發(fā)聲中的“平衡感”問題[D];哈爾濱師范大學(xué);2012年

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本文編號：1879300