本文選題：盤索哩 + 鼓詞　； 參考：《山東社會(huì)科學(xué)》2011年10期

【摘要】：在盤索哩諸多起源論中,"中國講唱起源說"曾一度遭學(xué)界質(zhì)疑,中國講唱文學(xué)作為"他影響源"的可能性,也只能在承認(rèn)本土"巫習(xí)起源說"的既定框架內(nèi)小心求證,這種定于一尊的研究模式使中國講唱文學(xué)被囫圇圍觀,而作為其"細(xì)部"的鼓詞以及鼓詞與盤索哩的關(guān)系卻被遮蔽了。構(gòu)成這種遮蔽的成因是復(fù)雜而動(dòng)蕩的,但民間口頭文化記載匱乏這一現(xiàn)象無疑加劇了研究的難度。本研究擬從盤索哩的起源論切入,以明末遺民東浮朝鮮這一史實(shí)為中心,從根源上發(fā)掘韓國盤索哩與中國鼓詞的隱性因緣,為盤索哩研究辟一新葉。
[Abstract]:In many theories of origin of Pan Soli, the theory of the origin of Chinese singing was once questioned by scholars. The possibility of Chinese talking and singing literature as the "source of his influence" can only be carefully verified within the established framework of acknowledging the origin of the local "sorcery." This kind of research model makes Chinese literature of speaking and singing be watched in whole, but the drum ci, as its "detail", and the relation between drum ci and Pan Soli are obscured. The causes of this kind of masking are complicated and turbulent, but the lack of folk oral culture undoubtedly makes the research more difficult. From the origin theory of Pansuoli, this study focuses on the historical facts of Korean people floating in the east in the late Ming Dynasty, and explores the recessive cause of the Korean Pansaoli and the Chinese drum ci from the root of the origin, thus creating a new leaf for the study of Pan Soli.
【作者單位】： 北京師范大學(xué)文學(xué)院;延邊大學(xué)科技學(xué)院;
【分類號】：J607

【參考文獻(xiàn)】

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本文編號：1877957