本文選題：西方音樂史 + 西方音樂學(xué)��； 參考：《人民音樂》2011年08期

【摘要】：正西方音樂大規(guī)模地進(jìn)入中國已有一個(gè)多世紀(jì),一百多年來學(xué)科的面貌不斷變化,2003年西方音樂學(xué)會(huì)的建立,為學(xué)科發(fā)展開辟了新的階段。七年來學(xué)會(huì)曾以西方音樂的"教學(xué)理念與實(shí)踐"、"作品解讀與分析"為主題舉辦過前兩屆年會(huì),并就"外國音樂經(jīng)典論著翻譯出版"、"西方音樂史研究生教學(xué)培養(yǎng)"、"綜合性院校西方音樂學(xué)科發(fā)展"和"綜合性院校西方音樂史教學(xué)工作"等議題召開了專題研討會(huì)。
[Abstract]:It has been more than a century for the western music to enter China on a large scale. The appearance of the discipline has been changing continuously in the past 100 years. The establishment of the Western Music Society in 2003 has opened a new stage for the development of the subject. In the past seven years, the society has held the first two annual meetings on the theme of "Teaching philosophy and practice" and "interpretation and Analysis of works" of Western Music. Special seminars were held on the topics of "Translation and publication of Foreign Music Classics", "cultivation of Postgraduate Teaching of Western Music History", "Development of Western Music discipline in Comprehensive Colleges" and "Teaching work of Western Music History in Comprehensive Colleges".
【作者單位】： 杭州師大音樂學(xué)院;華東師大藝術(shù)學(xué)院;中國西方音樂學(xué)會(huì);
【分類號(hào)】：J692

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本文編號(hào)：1869847