論延邊地區(qū)朝鮮族音樂對(duì)漢族歌曲創(chuàng)作的影響
發(fā)布時(shí)間:2018-05-09 15:25
本文選題:延邊 + 朝鮮族音樂 ; 參考:《延邊大學(xué)》2005年碩士論文
【摘要】:多年來,延邊地區(qū)朝鮮族音樂對(duì)漢族歌曲創(chuàng)作的影響是巨大的,大量由漢族創(chuàng)作的帶有朝鮮族音樂風(fēng)格的歌曲在群眾中廣為傳唱,對(duì)這一音樂現(xiàn)象的研究,對(duì)于傳承、發(fā)展朝鮮族音樂文化,促進(jìn)各民族音樂文化的交流,都有著深遠(yuǎn)而重大的意義。本文的研究目的就在于闡明延邊地區(qū)朝鮮族音樂對(duì)漢族音樂創(chuàng)作的影響及其原因、深度和廣度,得出朝鮮族音樂給漢族音樂發(fā)展帶來的推動(dòng)力和積極因素,為總結(jié)歷史經(jīng)驗(yàn),推動(dòng)延邊地區(qū)的音樂文化發(fā)展提供理論依據(jù)。由于延邊地區(qū)朝鮮族與漢族長(zhǎng)期的共同生活,使朝、漢音樂家之間,朝、漢音樂團(tuán)體之間都有著密切的聯(lián)系,加上同樣的傳播媒介和相互影響的教育體系,延邊地區(qū)漢族的歌曲創(chuàng)作必然受到朝鮮族音樂風(fēng)格的影響。另一方面,在共同建設(shè)延邊地區(qū)音樂文化的過程中,為突出地方特色而加強(qiáng)了朝鮮族音樂風(fēng)格的運(yùn)用,主要體現(xiàn)在漢族歌曲創(chuàng)作中,在音調(diào)、節(jié)奏中引入朝鮮族音樂元素,在唱法和歌曲伴奏中使用朝鮮族特有的演唱法和伴奏樂器,從而增強(qiáng)了作品的朝鮮族色彩。此外,論文還對(duì)延邊地區(qū)的音樂建設(shè)提出了幾點(diǎn)建議。首先,漢族音樂工作者應(yīng)加強(qiáng)對(duì)朝鮮族音樂的深入研究,知其然,知其所以然,以更好的運(yùn)用朝鮮族音樂資源,建設(shè)有延邊特色的音樂;其次,政府應(yīng)加大對(duì)音樂建設(shè)的投入,從戰(zhàn)略性的高度規(guī)劃音樂建設(shè),理論與實(shí)踐并重,打造獨(dú)特的延邊音樂文化;再次,要有組織、多側(cè)面的在漢族音樂工作者中開展朝鮮族音樂理論方面的學(xué)習(xí)活動(dòng),組織漢族音樂家創(chuàng)作帶有朝鮮族音樂風(fēng)格的作品;最后,加大漢文的關(guān)于朝鮮族音樂理論研究論文及著作的翻譯和出版,為漢族音樂工作者學(xué)習(xí)研究創(chuàng)造條件。
[Abstract]:Over the years, Korean music in Yanbian area has had a great impact on Han people's songwriting, and a large number of songs with Korean musical style created by Han nationality have been widely sung among the masses. It is of great significance to develop Korean music culture and promote the exchange of various ethnic music cultures. The purpose of this paper is to clarify the influence of Korean music on Han music creation in Yanbian area and its causes, depth and breadth, and to obtain the impetus and positive factors brought by Korean music to the development of Han music, so as to sum up the historical experience. To promote the development of music culture in Yanbian area to provide the theoretical basis. Due to the long-term common life of Korean and Han nationalities in Yanbian, there are close ties between Korean and Han musicians, as well as between Korean and Han music groups, together with the same media and educational system of mutual influence. The song creation of Han nationality in Yanbian area is bound to be influenced by the music style of Korean nationality. On the other hand, in the process of constructing musical culture in Yanbian area jointly, the application of Korean music style has been strengthened in order to highlight the local characteristics, which is mainly reflected in the creation of Han songs, the introduction of Korean music elements in tone and rhythm. The unique singing method and accompaniment instruments of Korean nationality are used in singing and song accompaniment, thus enhancing the Korean color of the works. In addition, the paper also puts forward some suggestions on the music construction in Yanbian area. First of all, Han music workers should strengthen the in-depth study of Korean music, know what it is and what it is, so as to make better use of Korean music resources and build music with Yanbian characteristics; secondly, the government should increase investment in music construction. Planning music construction from a strategic height, paying equal attention to both theory and practice, creating a unique Yanbian music culture; thirdly, organizing and carrying out learning activities on Korean music theory among Han music workers. To organize Han Chinese musicians to create works with Korean musical style; finally, to increase the translation and publication of the research papers and works on Korean music theory in Chinese, so as to create conditions for Han music workers to study and study.
【學(xué)位授予單位】:延邊大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2005
【分類號(hào)】:J607;J614
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前1條
1 金晶花;中國(guó)朝鮮族抗日戰(zhàn)爭(zhēng)時(shí)期革命歌曲研究[D];東北師范大學(xué);2007年
,本文編號(hào):1866542
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