本文選題：揚(yáng)琴 + 演奏技法��； 參考：《中國(guó)音樂(lè)學(xué)院》2013年碩士論文

【摘要】：在中國(guó)近四百多年的發(fā)展歷程中,揚(yáng)琴深植于中國(guó)傳統(tǒng)音樂(lè)文化而發(fā)展,從一件伴奏樂(lè)器逐步向獨(dú)奏樂(lè)器演變。建國(guó)后,揚(yáng)琴步入高雅殿堂,并在各大高等藝術(shù)院校設(shè)立專業(yè)學(xué)科,改變了揚(yáng)琴在民間自由發(fā)展的狀態(tài),迄今為止,中國(guó)揚(yáng)琴是世界揚(yáng)琴大家族中唯一建立了完整專業(yè)教育體系的樂(lè)器。揚(yáng)琴獨(dú)特的表現(xiàn)力使其適應(yīng)于獨(dú)奏、重奏、合奏、協(xié)奏等多種演出形式,是一件具有廣泛世界性的優(yōu)秀民族樂(lè)器。 揚(yáng)琴演奏技法是表達(dá)揚(yáng)琴音樂(lè)的重要語(yǔ)言。了解傳統(tǒng)技法是了解揚(yáng)琴傳統(tǒng)音樂(lè)的一個(gè)窗口,關(guān)注創(chuàng)新技法是關(guān)注現(xiàn)代揚(yáng)琴發(fā)展的重要組成部分。本文結(jié)合筆者所掌握的理論知識(shí)和實(shí)踐體會(huì),將揚(yáng)琴演奏技法進(jìn)行歸納,并從不同角度和側(cè)重點(diǎn)對(duì)揚(yáng)琴演奏技法進(jìn)行剖析,思考演奏技法的傳承與創(chuàng)新對(duì)揚(yáng)琴藝術(shù)發(fā)展所產(chǎn)生的影響與意義。 本文主要分四個(gè)部分：一、對(duì)揚(yáng)琴傳統(tǒng)技法的歸納；二、對(duì)揚(yáng)琴創(chuàng)新技法的歸納；三、對(duì)揚(yáng)琴創(chuàng)新技法的分析；四、對(duì)揚(yáng)琴演奏技法傳承與創(chuàng)新的思考。
[Abstract]:In the nearly 400 years of development of China, the yangqin is deeply rooted in Chinese traditional music culture and evolved from an accompaniment instrument to a solo instrument. After the founding of the people's Republic of China, the yangqin entered the elegant palace and set up specialized subjects in various art colleges and universities, which changed the state of the free development of the yangqin in the people. Up to now, Chinese yangqin is the only instrument in the world yangqin family to establish a complete professional education system. The dulcimer is an excellent national instrument with a wide range of world-wide performances due to its unique expressiveness and adaptability to solos, recitals, ensembles, harmonies, and so on. Yangqin playing technique is an important language to express yangqin music. Understanding the traditional techniques is a window to understand the traditional music of the yangqin, and paying attention to the innovative techniques is an important part of the development of the modern dulcimer. Combined with the author's theoretical knowledge and practical experience, this paper sums up the yangqin playing techniques, and analyzes the yangqin playing techniques from different angles and emphases. To consider the influence and significance of the inheritance and innovation of playing techniques on the development of yangqin art. This paper is divided into four parts: first, the induction of the traditional techniques of yangqin; second, the induction of the innovative techniques of the yangqin; third, the analysis of the innovative techniques of the yangqin; fourthly, the reflection on the inheritance and innovation of the techniques of yangqin playing.
【學(xué)位授予單位】：中國(guó)音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J632.51

【參考文獻(xiàn)】

相關(guān)期刊論文 前6條

1 張明珠;;揚(yáng)琴的傳統(tǒng)性與現(xiàn)代性[J];大舞臺(tái);2010年11期

2 孫琦;;談?chuàng)P琴傳入后的民族化衍變[J];黃河之聲;2004年02期

3 肖銀芬;;中國(guó)揚(yáng)琴傳統(tǒng)流派演奏技法之比較[J];科教文匯(中旬刊);2010年07期

4 杜亞雄;中國(guó)傳統(tǒng)音樂(lè)在音色運(yùn)用方面的特征[J];浙江藝術(shù)職業(yè)學(xué)院學(xué)報(bào);2003年01期

5 戚梅;建國(guó)以來(lái)?yè)P(yáng)琴演奏技法及創(chuàng)作的發(fā)展[J];棗莊學(xué)院學(xué)報(bào);2005年03期

6 王英;;揚(yáng)琴創(chuàng)新技法分類解析[J];藝術(shù)探索;2010年04期

，

本文編號(hào)：1819791