發(fā)布時間：2018-04-26 17:29

  本文選題：俄羅斯 + 巴揚(yáng)手風(fēng)琴��； 參考：《遼寧師范大學(xué)》2013年碩士論文

【摘要】：本文通過對佐拉塔耶夫及其作品的剖析和研究，在原有的樂譜的基礎(chǔ)上結(jié)合了音樂表演及的技術(shù)技巧的理解，進(jìn)行二度創(chuàng)作。演奏者通過深入的了解作品的風(fēng)格特點(diǎn)和對曲式結(jié)構(gòu)的認(rèn)真分析，通過自身再創(chuàng)作的經(jīng)歷和純屬的技巧，對作品進(jìn)行詮釋。為大家展示了巴揚(yáng)手風(fēng)琴演奏音樂作品的廣泛的應(yīng)用性以及駕馭不同風(fēng)格作品的優(yōu)越感。筆者通過親自演奏，并結(jié)合平時演奏中的實(shí)際體驗，，對作品以及巴揚(yáng)演奏的要點(diǎn)進(jìn)行論述。希望對此作品以及巴揚(yáng)手風(fēng)琴的研究，可以使大家對佐拉塔耶夫的音樂作品以及巴揚(yáng)手風(fēng)琴有更進(jìn)一步的了解，便于以后更多的在教學(xué)與演奏中運(yùn)用。
[Abstract]:Based on the analysis and study of Zolatayev and his works, this paper combines the understanding of musical performance and technical skills on the basis of the original music score, and makes a second creation. Through in-depth understanding of the style of the work and the structure of the serious analysis of the composition, through their own re-creation experience and pure skills, the interpretation of the work. It shows the wide application of Bayan accordion playing music and the superiority of controlling different styles of works. The author discusses the works and the main points of Bayan performance by playing in person and combining with the practical experience in ordinary performance. It is hoped that this work and the study of the Bayan accordion will enable us to have a better understanding of Zolatayev's musical works and the Bayan accordion so that they can be used in teaching and playing in the future.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J624.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 但昭義;論鋼琴演奏的聲音技巧[J];鋼琴藝術(shù);1996年02期

2 聶一波;;淺析鋼琴演奏中的觸鍵[J];美與時代(下半月);2009年08期

3 羅漢;;手風(fēng)琴變音器的認(rèn)識與運(yùn)用[J];天津音樂學(xué)院學(xué)報;2007年02期

本文編號：1806963