本文選題：貝多芬 + 音樂本體�。� 參考：《云南藝術(shù)學(xué)院》2014年碩士論文

【摘要】：眾所周知，貝多芬的音樂創(chuàng)作類型廣泛，其中涉及到的有交響樂、協(xié)奏曲、歌劇等音樂體裁。由于作者的閱讀范圍和搜索資料的能力有限，不能把貝多芬所有的音樂作品涵蓋其中，所以，本文僅以貝多芬的鋼琴奏鳴曲為主要研究對(duì)象，通過(guò)貝多芬OP.10No.1、OP.27.NO.2兩首鋼琴奏鳴曲展開論述。采用文獻(xiàn)資料、個(gè)案研究、音像資料等分析手法，從社會(huì)時(shí)代、個(gè)人以及鋼琴奏鳴曲創(chuàng)作的背景這些角度出發(fā)，去深入研究、挖掘貝多芬音樂中所蘊(yùn)含的感情色彩，從而深入的解讀貝多芬鋼琴奏鳴曲創(chuàng)作的思想精髓。作者通過(guò)分析、聆聽他的鋼琴奏鳴曲，認(rèn)為比較能代表貝多芬鋼琴奏鳴曲創(chuàng)作特色的是他的第五和第十四鋼琴奏鳴曲。所以，作者準(zhǔn)備通過(guò)對(duì)這兩首作品的音樂本體和創(chuàng)作手法、風(fēng)格的研究分析，，探索其中的音樂感情思想及藝術(shù)影響，可以給讀者一個(gè)全新的閱讀欣賞空間。
[Abstract]:As we all know, Beethoven has a wide range of types of music, including symphonies, concertos, operas and other musical genres. Due to the author's limited ability to read and search materials, he can not cover all of Beethoven's musical works. Therefore, this paper only focuses on Beethoven's piano sonatas. Two piano sonatas by Beethoven OP.10 No. 1 and OP.27.NO.2 are discussed. Using literature, case studies, audio-visual materials, and other analytical techniques, from the perspective of social times, individuals and the background of piano sonata creation, we go deep into the research and dig into the emotional color contained in Beethoven's music. In order to understand the essence of Beethoven's piano sonata creation. By analyzing and listening to his piano sonata, the author thinks that his fifth and fourteenth piano sonatas are more representative of Beethoven's piano sonata. Therefore, the author intends to explore the music emotion thought and the artistic influence through the research and analysis of the music Noumenon, the creation technique and the style of the two works, which can give the reader a brand-new reading appreciation space.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J624.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 左峰;貝多芬鋼琴奏鳴曲初探[J];咸寧學(xué)院學(xué)報(bào);2005年04期

本文編號(hào)：1803671