本文選題：宋代音樂 + 自然科學(xué)思維��； 參考：《山西大學(xué)》2014年碩士論文

【摘要】：在音樂藝術(shù)的發(fā)展過程中,人們對(duì)于音樂的認(rèn)識(shí)可以稱之為音樂觀念。因?yàn)榍鄻匪囆g(shù)自身具備人文科學(xué)、自然科學(xué)的雙重屬性,故人們對(duì)音樂的認(rèn)識(shí)便產(chǎn)生了人文科學(xué)思維和自然科學(xué)思維兩種方式。前一介歷史時(shí)期,國內(nèi)外的研究主要集中于對(duì)音樂進(jìn)行人文科學(xué)的研究。對(duì)音樂做自然科學(xué)的研究是近期新興起的一個(gè)重要課題。因?yàn)樵絹碓蕉嗟娜苏J(rèn)識(shí)到科學(xué)技術(shù)的發(fā)展對(duì)音樂發(fā)展的重要性。自然思維科學(xué)影響下的音樂研究作為新興興起的一項(xiàng)研究項(xiàng)目,突出的顯現(xiàn)于音樂科技史的研究之中。自然音樂觀的研究雖然起步晚,但是可供研究的古代著述豐富,且意義深遠(yuǎn)。這些研究的過程和結(jié)果都需要我們對(duì)之進(jìn)行整理、總結(jié),使之系統(tǒng)化。宋代是我國科學(xué)技術(shù)高度發(fā)展的歷史時(shí)期,當(dāng)時(shí)人們對(duì)于音樂的認(rèn)識(shí),自然與當(dāng)時(shí)科學(xué)技術(shù)的發(fā)展密切相關(guān)。宋代音樂家的音樂認(rèn)知和思維模式或多或少的體現(xiàn)在了當(dāng)時(shí)的正史、筆記之中。為了發(fā)展新興的音樂科技研究,本文選取自然科學(xué)思維影響下的宋代音樂觀作為研究課題。以期對(duì)音樂科技史的研究有所幫助。對(duì)于音樂的自然科學(xué)思維研究,最早出現(xiàn)在先秦時(shí)期,如音樂的自然觀。據(jù)歷史文獻(xiàn)記載,自然科學(xué)思維影響下的音樂觀在魏晉、宋代有進(jìn)一步的發(fā)展。如《夢(mèng)溪筆談》、《宋史樂志》等等。目前對(duì)于宋代自然科學(xué)思維影響下的音樂觀研究,主要集中在雅樂上。學(xué)者爭(zhēng)論的焦點(diǎn)集中于宋代雅樂是對(duì)先秦自然觀的“復(fù)興”還是拘泥不化的“復(fù)古”。還有一部分學(xué)者對(duì)于宋代程朱理學(xué)的“元理論”中體現(xiàn)的音樂觀有所研究。本篇學(xué)術(shù)論文不僅僅著眼于宋代的正史之中,還將眼光投向文人筆記,來挖掘宋代自然音樂觀的發(fā)展。在過去的十年中,中國音樂史學(xué)界開展了中國音樂科技史的研究。而我校承擔(dān)的中國音樂科技史研究項(xiàng)目,在其中具有重要的影響。這其中就包括了自然科學(xué)思維影響下的音樂觀研究課題。本篇學(xué)術(shù)論文的選題和此項(xiàng)科研項(xiàng)目有關(guān)。所以在此高度上,本篇學(xué)術(shù)論文也將有一個(gè)更廣闊的研究視野。有關(guān)音樂科技的研究,國外學(xué)術(shù)界有一些研究成果,但并沒有形成有影響的潮流。通過縱向的分析我國自然音樂觀的演變,而不是單純的斷代研究。這種分析方法可以看出我國古代音樂史的發(fā)展脈絡(luò),并且從中梳理出宋代自然音樂觀在整體大的歷史環(huán)境下發(fā)生的流變。本文采用的研究方法為文獻(xiàn)學(xué)方法和一般的哲學(xué)研究方法。文獻(xiàn)學(xué)方法是指,在豐富翔實(shí)的史料基礎(chǔ)上,運(yùn)用分類歸納的分析方法對(duì)我國音樂自然科學(xué)思維的發(fā)展做出研究。一般哲學(xué)研究方法,是指運(yùn)用縱橫比較的方法對(duì)我國宋代出現(xiàn)音樂自然觀進(jìn)行分析、歸納。簡(jiǎn)要分析我國音樂自然科學(xué)思維發(fā)展、變化原因。最終文章可以得出這樣一個(gè)觀點(diǎn)：宋代的自然音樂觀,雖然與先秦時(shí)期的思想相比,在發(fā)展中發(fā)生了很大的轉(zhuǎn)變。但是自然音樂觀發(fā)展的根源并沒有改變。而且在宋代自然音樂觀的發(fā)展中,隨著科技技術(shù)的迅猛發(fā)展,認(rèn)識(shí)世界的能力的提高,對(duì)舊有的一些觀點(diǎn)還有了批判性的發(fā)展�？梢娝未淖匀灰魳酚^上承魏晉、下接明清�？梢哉f是我國音樂思想史上的第三次高峰。這樣通過全局的角度、全面的分析史料,就可以對(duì)我國古代音樂觀有一個(gè)全新的認(rèn)識(shí)。
[Abstract]:In the course of the development of music art, people's understanding of music can be called the concept of music. Because the art of green music itself has the dual attributes of human science and natural science, so people's understanding of music has produced two kinds of thinking and thinking of natural science. The previous historical period, the main research at home and abroad It is focused on the study of the humanities of music. The study of the natural science of music is an important issue emerging in the near future. Because more and more people have realized the importance of the development of science and technology to the development of music. The music research under the influence of natural thinking science is a newly emerging research project. In the study of the history of music science and technology, the study of the concept of natural music started late, but the ancient writings which can be studied are rich and far-reaching. The process and results of these studies need to be collated, summed up and systematized. The Song Dynasty was the historical period of the high development of science and technology in China, at that time the people were to music. Understanding, nature is closely related to the development of science and technology at that time. The music cognition and thinking mode of the musicians of the Song Dynasty were more or less reflected in the history of the time. In order to develop the new research of music science and technology, this article selected Song Daiyin Optimism under the influence of natural scientific thinking as a research topic. The study of natural scientific thinking of music was first appeared in the pre Qin period, such as the natural view of music. According to historical documents, the music view under the influence of natural science thought has been further developed in the Wei and Jin Dynasties, and the Song Dynasty, such as "Meng Xi pen talk", "Song Shi Le Zhi >" and so on. The focus of the study of music view is on the music. The focus of the controversy is on the "revival" of the Song Dynasty's "revival" of the natural view of the pre-Qin period or the "restoration of the ancient". Some scholars have studied the music concept embodied in the "Yuan theory" of Cheng Zhu's Neo Confucianism in the Song Dynasty. This thesis is not only focused on the Song Dynasty. In the past ten years, Chinese music historians have carried out the study of the history of Chinese music science and technology in the past ten years. The Chinese music science and technology history research project in China has an important influence. This includes the influence of natural science thinking. The topic of this thesis is related to this research project. So this academic thesis will have a wider field of vision at this height. There are some research achievements in the study of music science and technology in foreign academia, but there are no influential trends. Through the longitudinal analysis of natural music in China This method can see the development of the history of Chinese ancient music, and the evolution of the natural music view of the Song Dynasty in the whole large historical environment. The method used in this paper is a literature method and a kind of philosophical research method. On the basis of abundant and accurate historical materials, this paper makes a study on the development of Chinese music natural science thinking by the method of classification and induction. The general philosophy research method refers to the analysis and induction of the emergence of the natural view of music in the Song Dynasty in China by means of comparison and comparison, and briefly analyzes the development of natural science thinking in our country and the reasons for the change. The final article can draw a view that the view of natural music in the Song Dynasty, although compared with the thought of the pre Qin period, has changed greatly in the development. But the origin of the development of the natural music concept has not changed. And in the development of the natural music view of the Song Dynasty, with the rapid development of science and technology, the ability to know the world is realized. It can be seen that the Song Dynasty's view of natural music inherited the Wei Jin and Ming and Qing Dynasties. It can be said to be the third peak in the history of music thought in our country. So through the overall analysis of historical materials, we can have a new understanding of the optimism of Chinese ancient sound.

【學(xué)位授予單位】：山西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J609.2

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