本文選題：艾夫斯 + 交響曲�。� 參考：《武漢音樂學(xué)院》2006年碩士論文

【摘要】： 本文通過對艾夫斯《第二交響曲》的分析研究,探尋其獨特的創(chuàng)作與審美觀,分別從歷史背景,人文環(huán)境以及作品內(nèi)涵的多角度來剖析作曲家作品當(dāng)中所蘊含的“超驗”音樂思想,并由此解讀作曲家奇特的“拼貼”手法及其意義。通過音樂分析與史學(xué)美學(xué)相結(jié)合的方法對以上各方面進行全面分析,最終解讀該作品的超前意識并確定其歷史地位。 引言部分主要介紹了問題的緣起、國內(nèi)外研究現(xiàn)狀以及研究的方法、目的和意義。第一章主要介紹艾夫斯的生活背景及其《第二交響曲》創(chuàng)作的一般情況。第二章主要研究的是艾夫斯在超驗思想影響下使用的“拼貼”技法及其體現(xiàn)出來的超前意識。第三章主要辨證的探討艾夫斯《第二交響曲》中體現(xiàn)出來的“超驗”思想,通過對作品本身的研究以及對艾夫斯當(dāng)時所處的社會歷史背景的考查,詳細(xì)闡述了艾夫斯作品中體現(xiàn)出的“樂觀”因素、“大自然”情結(jié)以及“自我意識”,同時,也揭示了艾夫斯“超驗”思想在創(chuàng)作中的深刻體現(xiàn)。本文的結(jié)語部分主要評價《第二交響曲》在音樂史上的影響和歷史地位。
[Abstract]:Through the analysis and study of Ives' Symphony No. 2, this paper explores its unique creation and aesthetics, respectively from the historical background. This paper analyzes the transcendental music thought contained in the composer's works from the humanistic environment and the connotation of the works, and then interprets the composer's peculiar "collage" technique and its significance. Through the combination of music analysis and historical aesthetics, the author makes a comprehensive analysis of the above aspects, and finally interprets the leading consciousness of the work and determines its historical position. The introduction mainly introduces the origin of the problem, domestic and foreign research status, research methods, purposes and significance. The first chapter mainly introduces the life background of Ives and the general situation of the creation of Symphony No. 2. The second chapter mainly studies the collage technique used by Ives under the influence of transcendental thought and its leading consciousness. The third chapter mainly dialectically discusses the "transcendental" thought embodied in Ives' Symphony No. 2, through the study of the works themselves and the social and historical background in which Ives was at that time. This paper expounds in detail the factors of "optimism", "nature" complex and "self consciousness" embodied in Ives' works, and at the same time, reveals the profound embodiment of Ives'"transcendental" thought in his creation. The conclusion of this paper mainly evaluates the influence and historical status of Symphony No. 2 in the history of music.
【學(xué)位授予單位】：武漢音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J614

【引證文獻】

相關(guān)博士學(xué)位論文 前1條

1 劉灝;查爾斯·艾夫斯音樂創(chuàng)作中的拼貼技法及風(fēng)格研究[D];上海音樂學(xué)院;2012年

相關(guān)碩士學(xué)位論文 前1條

1 毛迎新;“超然的音樂 哲理的構(gòu)思”[D];曲阜師范大學(xué);2011年

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本文編號：1800157