本文選題：流行歌曲 + 發(fā)展��； 參考：《哈爾濱師范大學(xué)》2013年碩士論文

【摘要】：隨著西方工業(yè)革命的發(fā)展,流行音樂(lè)從西方爵士樂(lè)中分流出來(lái)并逐漸興起,并在上世紀(jì)初傳入我國(guó),最初是西方的唱片公司在上海傳播,直到1927年黎錦輝創(chuàng)作的《毛毛雨》問(wèn)世,中國(guó)才有了真正意義上的第一首流行音樂(lè),由此正式開(kāi)始了流行音樂(lè)在中國(guó)的發(fā)展。時(shí)至今日,現(xiàn)代流行音樂(lè)已經(jīng)完全徹底轉(zhuǎn)變?yōu)楝F(xiàn)代商品音樂(lè)。其主要以盈利為主要目的,娛樂(lè)性非常強(qiáng)。正基于此,對(duì)于音樂(lè)本身研究已經(jīng)不能夠完全闡釋流行樂(lè)本身發(fā)展內(nèi)涵和審美特征,我們必須從流行音樂(lè)消費(fèi)市場(chǎng)著手,從流行音樂(lè)所處的大環(huán)境出發(fā),對(duì)于不同年齡層次的消費(fèi)者審美情趣進(jìn)行研究,才能真正了解到流行音樂(lè)的本質(zhì)。 全文共分五個(gè)章節(jié)。第一章為全文緒論,對(duì)于流行歌曲的定義和特征以及本文研究方案和研究目的進(jìn)行全面闡釋,為全文分析研究奠定基礎(chǔ)；第二章基于中國(guó)流行歌曲起源和發(fā)展基礎(chǔ)之上,對(duì)于近十年中國(guó)流行歌曲的發(fā)展現(xiàn)狀和特點(diǎn)進(jìn)行分析,并對(duì)于近十年中國(guó)流行歌曲的普遍現(xiàn)象進(jìn)行重點(diǎn)說(shuō)明,并舉例分析；第三章從流行歌曲特點(diǎn)入手與傳統(tǒng)途徑入手,對(duì)于當(dāng)前流行歌曲的主要特征進(jìn)行深入淺出解釋。第四章為全文核心,對(duì)于當(dāng)前流行歌曲審美受眾群體進(jìn)行研究,并從審美情趣、審美心理、審美接受三個(gè)方面,對(duì)于流行歌曲審美現(xiàn)象的理性思考進(jìn)行閘釋；最后為全文總結(jié)。
[Abstract]:With the development of the western industrial revolution, pop music emerged from the western jazz and spread to China at the beginning of the last century. At first, the Western record companies spread in Shanghai. It was not until the publication of drizzle by Li Jinhui in 1927 that China had the first pop music in the real sense, and thus began the development of pop music in China. Up to now, modern pop music has been completely transformed into modern commercial music. Its main purpose is to profit, entertainment is very strong. Because of this, the study of music itself can no longer fully explain the connotation and aesthetic characteristics of pop music itself. We must start from the consumer market of pop music and proceed from the general environment in which pop music is located. In order to understand the essence of pop music, we can study the aesthetic taste of consumers at different ages. The full text is divided into five chapters. The first chapter is the introduction of the full text, the definition and characteristics of pop songs, as well as the research plan and purpose of this paper are explained in an all-round way, which lays a foundation for the analysis and research of the full text; the second chapter is based on the origin and development of Chinese pop songs. The development status and characteristics of Chinese pop songs in recent ten years are analyzed, and the general phenomenon of Chinese pop songs in the last ten years is explained emphatically, and an example is given. Chapter three starts with the characteristics of popular songs and the traditional ways. The main features of current pop songs are explained. The fourth chapter is the core of the full text, for the current popular songs aesthetic audience group research, and from the aesthetic taste, aesthetic psychology, aesthetic acceptance of three aspects, for the rational thinking of pop songs aesthetic phenomenon, and finally for the full text summary.
【學(xué)位授予單位】：哈爾濱師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J609.2

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